* * * * *
"Anybody there?" is still a question on Second Avenue after midnight.
Only the "there" is somewhere else, and nobody knows who the "Anybody"
is--not even Theresa, because in the new place her former admirers read
their poetry and plays, try their songs and hang their pictures on the
walls. Even her table is not exclusively HER table any longer.
THE TROUBLES OF A PERFECT TYPE
Walk through Grand Street from Third Avenue to Clinton Street, which is
not a long distance, and you have the types of the whole world before
you. They are not in concentrated form; they are diluted. But if you
analyze, even hurriedly, you will soon be able to know the components of
each one of them.
A remote Tartar ancestor of one of the pushcart peddlers is plainly seen
in the small sunken black eyes. In another the straight line of the back
of the head tells you that his mother, or his grandmother, had lived
once in Hungary. In another one the Slav type, the flat fleshy nose, is
mixed with the Wallachian strong chin. Some Teuton blood calls out
through the heavy cast of an otherwise typical Austrian Jew. A Spanish
grandee, as if come out from a page of Cervantes, is selling shoe laces
and cuff buttons. And a Moroccan prince, ill at ease in his European
garb, is offering to the passer-by some new Burbankian fig-plum-orange
combination.
The vendors call out their wares in what seems at first a tongue all
their own. But a trained ear soon discovers that it is English, or
rather that English is the essential component of the chemistry of their
language; the rest being words of their own creation, or scraps from a
dozen other languages which stuck to the people of woe in their two
thousand years peregrination from land to land.
* * * * *
They needed a Jewish type in producing a screen drama. Not one of the
actors, semi-actors or hanger-ons of the company fitted the demands of
the omniscient director; so he set out to find the type himself. Seated
in a large touring car, he traversed every street of lower Manhattan,
carefully scanning the faces of men. For a full week he thus busied
himself without much success, unable to discover what he wanted.
The beginning of the second week found the director roaming through the
east side on foot. He stocked up more cigarettes than his pockets could
hold, visiting the innumerable little shops on every street, and drank
tea in a dozen obscure cafés without locating his man, the counterpart
of his imagination. But on the fourth day of the second week his
patience and perseverance were rewarded.
As he was sipping a glass of tea in a little coffee house the door
opened and a tall, lanky fellow appeared as if drawn by the magic power
of the director's desire.
Public-domain text, read in full here on John Shaqi.
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