This day of the return from exile no premonition of the inheritance
of fate arose to disturb the singing heart of the girl. She rattled
on to the stoical Papago at the wheel unending questions concerning
her father and the most humble of the Indian retainers living on the
rancherias about the oasis, Don Padraic’s fief in the waste lands.
She told the credulous Quelele stories of the cities she had seen; of
white men’s wickiups climbing as high as the hill of La Nariz; of water
so plentiful that it was launched at a burning house out of a long
serpent’s mouth; how men lifted themselves above the earth in machines
like the king condor and flew hundreds of miles between sun and sun.
To all of which big Quelele, never lifting his eyes from the thin rut
lines in the sand, answered with a single monosyllable “Hi,” wherein
was compounded all his capacity for wonder.
South and west about the skirts of the Pajarito they went, and then
into the old road up from Caborca, the ancient highway called the Road
of the Dead Men which swings north parallel with the Line, cutting the
tails of numerous ranges that are great in Arizona. And so, when the
day was hardly more than half spent, the little car crawled to the
height called the Nose of the Devil, and Benicia saw below her land of
desire.
Fists of the mountains grudgingly opened out to permit a broad basin
running from east to west, and there against the savage baldness of
sentinel ranges showed a ribbon of green. Green of precious gems it
was. So vivid in the setting of the drought land. So cyclonic its
assault of colour against the eye inured to the duns and greys of a
hundred miles of parched terrain. And in the midst of the oasis the
shining white dot, which was the house of the O’Donoju; of Benicia’s
father and his fathers before him back to the day of a royal favourite
baptized Michael O’Donohue. The Casa O’Donoju in El Jardin de
Soledad--the Garden of Solitude.
Indian women, in skirts of orange and cerise and with gay mantles over
their sleek hair, lined the way to the avenue of royal date palms
which led from the bridge over the Rio Dulce straight to the white
single-story house of ’dobe, heavy walled and loopholed like a fort.
They waved and sent shouts of welcome to the mistress of the casa as
she passed.
Benicia knew her father would not be outside the house to greet her;
their love was not for the servants to see. Rather he would be waiting
in their own trysting place, the place where he had given her farewell
two years before. The girl leaped from the car before the heavy
studded oak door breaking the solid white front of the house at its
centre. It was opened to her by old ’Cepcion, feminine major domo of
the household servants. Benicia paused to give the parchment cheeks a
kiss, then she danced down a flagged hall to the flare of green marking
the patio garden in the centre of the house.
Public-domain text, read in full here on John Shaqi.
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