The big Indian stocked the car with gasoline from the tank behind
the master’s house--a reservoir filled monthly from drums brought by
ox cart from the distant railroad point--strapped canteens and oil
containers on his running boards and was off. Don Padraic said nothing
of the incident to his daughter.
That night Don Padraic and Benicia sat in the candlelight of the big
salon or living room which filled the space of one quadrangle off
the patio. In all Sonora there was no counterpart of this chamber of
mellowed antiquities, the collection of generations of the O’Donoju.
Low ceiled and with crossing beams of oak, whereon the marks of the
hewer’s adze showed like waves; walls hung with tapestries between the
heavy frames of portraits of grandees and their ladies of forgotten
days; a great fireplace wherein a man could stand upright, with its
hand-wrought andirons and heavy crane shank; floor almost black from
a hundred years of polishing and with the skins of animals floating
there like so many islands:--here was a magic bit of old Spain lifted
overseas to find root in the heart of the desert.
Benicia, in a gown of rippling lines which left her strong young arms
bare to the shoulder, was seated behind the great golden span of her
harp. Candlelight falling across her shoulders made ivory the flesh
of her bare arms as they moved rhythmically back and forth over the
wilderness of strings. She was playing the Volga Boatsong, a peasant
melody whose minors rose and fell to the sweep of oars. As the girl
gave her heart to the music, the thrumming strings wove a picture of
some barbaric steppe coming down to a sluggish river; boatmen chanting
at the sweeps. The ancient room was a-thrill with resonance.
She finished with just a breath of melody, the song of the boatmen
dying in the distance. Her eyes fell on the face of her father; it
was deeply etched by the play of flames from the mesquite logs in the
fireplace. Always he sat this way, moveless before the fire, when
she played on the great harp o’ nights, freeing his soul to drink in
the melodies; but to Benicia’s understanding eyes appeared now the
semblance of a deeper shadow not of the firelight. She softly left the
instrument and stole over to nestle herself on the broad chair wing,
with her coppery head laid against the snow white one.
“_Pobrecito_”--this was her pet word carried through the years from
childhood--“_Pobrecito_, thy face is as grave as the owl’s. Some
secret? Remember, there are no secrets between us two--no worry which
the other does not share.”
Public-domain text, read in full here on John Shaqi.
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