Dutch Etchers of the Seventeenth CenturyBinyon, Laurence
History
Dutch Etchers of the Seventeenth Century
Binyon, Laurence
Etchers -- Netherlands
Adriaen van Ostade was born in Haarlem, at the end of 1610. The
researches of Dr. Van der Willigen have placed this fact beyond doubt,
and the old tradition of his having been born at Lübeck must therefore
be set aside. In the baptismal register for December 10, 1610, there is
entered the name of Adriaen, son of Jan Hendricx, of Eyndhoven, and of
Janneke Hendriksen. On the 2nd of June, 1621, the birth of Isack, son of
the same parents, is recorded.
These dates have always been associated with the births of the brothers
Ostade, and there are other grounds for identifying them with the
Adriaen and Isack just mentioned.
Jan Hendricx was a weaver, and in consequence of the religious
persecutions of the time, left his native Eyndhoven, a village in North
Brabant, for Haarlem. This was some time before 1605, for in that year,
already a burgess of the town, he married. He had several children; and
in a document of 1650, two of them are mentioned as brother and sister
to Adriaen and Isack, who are thus proved to have been his sons. The
name of Ostade was taken from a hamlet close to Eyndhoven. Adriaen is
first mentioned with this surname as a member of the civic guard, in
1636.
Haarlem, M. Vosmaer has said, is in two things like Florence. It is a
city of flowers and a city of artists. Its archives show that from an
early time the arts flourished and were fostered there. Money was never
grudged for fine work in every branch of skilful industry, no less than
for good painting and good sculpture. The goldsmith, the potter, the
leather-worker, the stone-cutter, could find employment for their powers
and remuneration worth their skill. Haarlem was, in fact, a type of
those busy and prosperous cities where it seems that art thrives best;
for though art and commerce are often supposed to have a natural
disagreement, history shows them to have been the most apt companions.
But the city of Dierick Bouts, of Albert van Ouwater, of Jan Scorel, was
at the time of Ostade’s birth, in a condition even more favourable for
the production of fine work than it had been in the fifteenth and
following centuries. In 1573 occurred the famous siege by the Spaniards.
Those who had borne the burden of those terrible days were now growing
old; but the young generation received and handed on their heroic
memories, unembittered by thoughts of loss, suffering, or defeat. And
when, in 1609, peace came, and the United Provinces, acknowledged by
Spain, turned to enjoy their victorious repose, there was added the
sense of triumph to that of trials endured. It was the great time for
Holland. Her soldiers were famed as the finest in Europe. Her navy was
the most powerful, the best-manned. Her cities grew, and wealth poured
into them. A universal well-being pervaded the country, and a spirit of
joy and of expansion, like the glow of health, diffused itself in the
citizens.
Public-domain text, read in full here on John Shaqi.
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