Holland has always been noted for the variety and quaintness of its provincial and even communal costumes, and these may all still be seen, though they are dying out slowly. In some, and in fact many cases, a modern bonnet is worn over a beautiful gold or silver headpiece, fringed with lace, but ancient and modern do not in such cases harmonize. Of the distinctly provincial costumes, that of Friesland is generally considered the prettiest, but as illustrations are given of them all in a later chapter, it must be left to the reader to decide the point for himself. The fisherfolk more than any other retain their distinctive dress, although even among them some of the children are habited according to modern ideas, and certainly when the women are doomed to wear fourteen or sixteen skirts, which have the effect of making them liable to pulmonary complaints, it is surprising that modern fashions are not more generally adopted. The plea for modernity in respect of Dutch national costumes is considered rank heresy among artists, but the figures look better in a picture and at a distance than in everyday life, added to which the custom of cutting off or hiding the hair, which some of the head-dresses compel, is not one to be encouraged; and it is a wonder that woman, who knows as a rule her charms, has for so long consented to be deprived of one of the chief ones. But in Holland, as in all countries where education is spreading, cosmopolitanism in dress is increasing, and the picturesque tends to give place to the convenient and in many cases the healthy.