Dwellers in Arcady: The Story of an Abandoned FarmPaine, Albert Bigelow
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Dwellers in Arcady: The Story of an Abandoned Farm
Paine, Albert Bigelow
Abandoned farms -- Fiction; Farm life -- Fiction
It was--let us say--as old as the old house. It had been a straight
young tree of thirty years or so when the Revolutionary began, and it
saw the recruits of Brook Ridge march by to join Putnam, who had a camp
on a neighboring hill. There were Reeds and Meekers and Burrs and Todds
and Sanfords in that little detachment, and their uniforms were not very
uniform, and their knapsacks none too well filled. There was no rich
government behind them to vote billions for defense, no camps that were
cities sprung up in a night, no swift trains to whirl them to their
destination. Where they went they walked, through dust or mud and over
the stony hills. The old tree saw them pass--in its youth and
theirs--and by and by saw them return--fewer in numbers, and foot-sore,
but triumphant. I mentioned it to Pop. He said:
"Yeah--I was in the Civil War. It wa'n't much fun, but I'm lookin' for
my pension to be increased next year."
When there was no more brush or chopping I set Pop to laying stone wall
and said I would employ him steadily for a year. But that was a
mistake. Old Pop was a free lance, a knight errant. Anything that
savored of permanency smelled to him of vassalage. He laid a rod of
stone wall--solid wall that will be there for Gabriel to stand on when
he plays his last trump--blows it, I mean--in that neighborhood. But
then he collected, one evening, and vanished, and I did not see him any
more. I never carried the wall any farther. As Pop left it, so it
remains to this day.
[Illustration]
My plowman was a young man--a handsome, high-born-looking youth who came
one Sunday evening to arrange terms. He was stylishly dressed, and I
took him for a college lad on vacation. He assured me, however, that his
schooling had been acquired in the neighborhood, that he was a farmer on
his own account, with a team of his own, and that he was accustomed to
plowing rocky land. His name was Luther Merrill, and if I had thought
him handsome in his fine clothes, I considered him really superb when he
arrived next morning in work attire and started his great plow and big
white horses around the furrows. There had been a shower in the night
and the summer foliage was fresh--the leaves shining. Against a gleaming
green background of maple, alder, and wild clematis, Luther Merrill in
shirt and trousers, his collar open, his sleeves turned back, bending to
the plow and calling directions to his sturdy team, was something to
make one's heart leap for joy. I photographed him unobserved. I longed
to paint him.
Public-domain text, read in full here on John Shaqi.
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