We were busy with our new plans. We decided to shingle the roof, which showed an inclination to leak; also the sides, which in numerous places besides the windows admitted samples of the outdoors. Such things did not matter so much in summer-time, but New England in winter is different. Then the roof and door-yard are piled with snow, the northwest wind seeks out the tiniest crevice in one's armor. How did those long-ago people manage? Their walls were not sheeted, and they did not know the use of building-paper. Our old wide siding had been laid directly on the bare timbers, the studding; every crevice under the windows, every crack in the plaster, was a short circuit with zero. We decided to take off the antique siding, cut out the bad places, and relay it flat, as sheeting. Over it we would lay building-paper, and on top of this, good substantial shingles, laid wide to the weather in the old-fashioned way. It hurt us to think of covering up that fine original siding--priceless stuff, a foot wide and of the softest, straightest-grained white pine, cut from large trees such as no longer grow--but we did not know what else to do with it. It was a wonderful antique, but we could not afford to keep a pile of lumber just for exhibition purposes. I said it ought to be in a museum, and I had some thought of offering it to the Metropolitan, at a modest valuation, next time I went to town. Elizabeth discouraged this idea. She suggested that I have it made up into Brook Ridge souvenirs--little trays and paper-cutters--a wagon-load or two, then start out and peddle them. The scheme dazzled me for a moment, but I resisted it. So in the end it became just sheeting. I did pick out one fine example--a piece with some of the original red paint still on it--and said I meant to have it framed, but in the course of the work, at a moment when my back was turned, the carpenter got hold of it, so I fear there is no exposed scrap of it to-day. It is all there under the shingles, and will still be there for other shingles when those are gone. The nails that held it were made by hand, every one of them, and I did save some of those, for they were really beautiful. But think of the patient labor of making them. I suppose a skilled and rapid workman could turn out as many as twenty of those nails in an hour. A detail like that gives one a sort of measurement of those deliberate days.