Dwellers in Arcady: The Story of an Abandoned FarmPaine, Albert Bigelow
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Dwellers in Arcady: The Story of an Abandoned Farm
Paine, Albert Bigelow
Abandoned farms -- Fiction; Farm life -- Fiction
Being a tall man, I did not need the step-ladder. In those low rooms I
could quite easily stand on the floor and paper from the ceiling down.
Certainly that was an advantage. I discovered, however, that a
step-ladder is not all of a paper-hanger's gifts. When I matched that
piece of paper at the ceiling and started down with it, I realized
presently that it was not going in the direction of the floor. At least
not directly. It was slanting off at a bias to the southeast, leaving a
long, lean, wedge-shaped gap between it and the last strip. I pulled it
off and started again, shifting the angle. But I overdid the thing. This
time it went biasing off in the other direction and left an untidy
smudge of paste on Westbury's nice, clean strip. I reflected that this
would probably dry out--if not, I would hang a picture over it. Then I
gave the strip I was hanging a little twitch, being a trifle annoyed,
perhaps, by this time, and was pained to see that an irregular patch of
it remained on the wall, while the rest of it fell sloppily into my
hands. It appeared that wall-paper became tender with damp paste on it
and should not be jerked about in that nervous way. In seeking to remove
the ragged piece from the plaster, holding up the mutilated strip
meanwhile, something else occurred, I don't quite know what, but I
suddenly felt a damp and gluey mess on my face, and then it was around
my neck, and then I discovered that a portion of it had in some way got
tangled up with my legs, upon which I think I became rather positive,
for I seem to have wadded up several gooey balls of chintzy decoration
and hurled them through the open window, far out upon the sun-flecked
yard.
I went below and washed up, and for a time sat under the maple shade and
smoked. When more calm I said: "This is nothing--it is only a first
lesson. Paper-hanging requires probationary study and experiment. It is
not a natural gift, an extempore thing like authorship and song. I have
paper enough to afford another lesson. This time I shall consider deeply
and use great care."
I went back and prepared another strip, humbly and without any attempt
at style. This time, too, I did not consider the line of the ceiling,
but conformed to the vertical edge of Westbury's final strip, allowing
my loose section to dangle like a plumb-line several moments before
permitting it to get its death-grip on the wall. I will not say that
this second attempt was an entire success, but it was a step in that
direction. With a little smudging, a slight wrinkle or two, and a small
torn place, it would do, and I was really quite pleased with myself when
I observed it from across the room and imagined a kindly bureau just
about in that spot.
Public-domain text, read in full here on John Shaqi.
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