Dwellers in Arcady: The Story of an Abandoned Farm — John Shaqi
Dwellers in Arcady: The Story of an Abandoned FarmPaine, Albert Bigelow
General
Dwellers in Arcady: The Story of an Abandoned Farm
Paine, Albert Bigelow
Abandoned farms -- Fiction; Farm life -- Fiction
"I'm glad he's a body," I said. "I wasn t sure."
III
_Our debt to William C. Westbury_
Before going deeper into this history I think I ought definitely to
introduce William C. Westbury, who sold us the place. How few and
lagging would have been our accomplishments without Westbury; how
trifling seems our repayment as I review the years. Not only did he sell
us the house, but he made its habitation possible; you will understand
this as the pages pass.
Westbury was a native of natives. By a collateral branch he, like his
wife, had descended from our original owners, the ancient and honorable
Meeker stock, who had acquired from the Crown a grant of one of the long
lots (so called because, although of limited width, they had each a
shore front on Long Island Sound) a fifteen-mile stretch of wood and
hill and running water. His own homestead at the foot of the hill--the
old-fashioned white house already mentioned--had been built a generation
or two after ours, when with prosperity, or at least the means of easier
accomplishment, the younger stock had gone in for a more pretentious
setting.
Whatever there was to know about Brook Ridge, Westbury knew--an all-wide
Providence could scarcely know more. He knew every family, its history
and inter-relationships. His favorite diversion was to take up and
pursue some genealogical thread, to follow its mazy meanderings down the
generations, dropping in curious bits of unwritten history--some of it
spicy enough, some of it boisterously funny, some of it somber and
gruesome, but all of it alive with the very color and savor of the land
that was a part of himself, his inheritance from the generations of
sturdy pioneers. Possibly Westbury's history was not always authentic,
but if at times he drew on his imagination he tapped a noble source, for
his narrative flowed clear, limpid, refreshing, and inexhaustible. When
the days grew cooler and a fire was going in the big chimney, Westbury
would drop in and, pulling up a big chair, would take out his knife and,
selecting a soft, straight-grained piece of pine kindling, would whittle
and look into the fire while he unwound the skein that threaded through
the years from Azariah Meeker, or Ahab Todd, down to the few and
scattering remnants that still flecked the huckleberry hills.
Public-domain text, read in full here on John Shaqi.
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