I wish to see the face of the lad only if the gods please. The canvas
about it is all tolerably clear,--the smoke-painted shop, and the
afternoon sun shining in to it through the window by the forge; and
through the great cracks, vertical sheets of sunlight thrust, wherein
the golden dust was dancing; the blacksmith panting on his anvil, his
bare arms bowed, and his hands pressed against his body as though to
help somehow to get the good air into his lungs, beads of perspiration
creeping from under the leather cap and tracing white furrows down his
sooty face; Jud leaning against the wall, and Ump squatting near El
Mahdi. The horse was not frightened. He jumped to avoid the flying
sledge. That was all. I cannot speak of the magnitude of his courage. I
can only say that he had the sublime indifference of a Brahmin from the
Ganges.
Presently the blacksmith had gotten the air in him, and he arose
scowling, picked up his tongs, fished the cart-iron out of the water,
thrust it into the coals and began to pump his bellows.
It was an invitation to depart and leave him to his own business. But it
was not our intention to depart with a barefooted horse, even if the
devil were the blacksmith.
"Christian," said Ump, "you're not through with this horse."
The blacksmith paid no attention. He pumped his bellows with his back
toward us.
"Christian!" repeated the hunchback, and his voice was the ugliest thing
I have ever heard. It was low and soft and went whistling through the
shop. "Do you hear me, Christian?"
The smith turned like an animal that hears a hissing by his heels, threw
the tongs on the floor, and glared at Ump. "I won't do it," he snarled.
"Easy, Christian," said the hunchback, with the same wheedling voice
that came so strangely through his crooked mouth. "Think about it, man.
The horse is barefoot. We should be much obliged to you."
I do not believe that this man was a coward. It was his boast that he
could shoe anything that could walk into his shop, and he lived up to
the boast. I give him that due, on my honour. Many a devil walked into
that shop wearing the hoof and hide of a horse and came out with iron
nailed on his feet; for example, horses like the Black Abbot that fought
and screamed when we put a saddle on him first and rolled on the earth
until he crushed the saddle-tree and the stirrups into splinters; and
horses like El Mahdi that tried to kill the blacksmith as though he were
an annoying fly. It was dangerous business, and I do not believe that
old Christian was a coward.
But what show had he? An arm's length away was the powerful Jud whose
hand had just now held the smith out over the corner of the world; and
the hunchback squatted on the floor with the striking hammer in his long
fingers, the red glint under his half-closed eyelids, and that dangerous
purring speech in his mouth. What show had he?
Public-domain text, read in full here on John Shaqi.
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