Dynevor Terrace; Or, The Clue of Life — Volume 1 — John Shaqi
Dynevor Terrace; Or, The Clue of Life — Volume 1Yonge, Charlotte M. (Charlotte Mary)
General
Dynevor Terrace; Or, The Clue of Life — Volume 1
Yonge, Charlotte M. (Charlotte Mary)
Cousins -- Fiction; Domestic fiction; English fiction -- 19th century; Upper class -- England -- Fiction
Produced by Sandra Laythorpe. HTML version by Al Haines.
DYNEVOR TERRACE:
OR
THE CLUE OF LIFE.
BY
CHARLOTTE M. YONGE.
THE AUTHOR OF 'THE HEIR OF REDCLYFFE'
CONTENTS
I. CHARLOTTE.
II. AN OLD SCHOOLMISTRESS.
III. LOUIS LE DEBONNAIRE.
IV. THISTLE-DOWN.
V. THE TWO MINISTERS.
VI. FAREWELLS.
VII. GOSSAMER.
VIII. A TRUANT DISPOSITION.
IX. THE FAMILY COMPACT.
X. THE BETTER PART OF VALOUR.
XI. A HALTING PROPOSAL.
XII. CHILDE ROLAND.
XIII. FROSTY, BUT KINDLY.
XIV. NEW INHABITANTS.
XV. MOTLEY THE ONLY WEAR.
XVI. THE FRUIT OF THE CHRISTMAS-TREE
XVII. THE RIVALS.
XVIII. REST FOR THE WEARY.
XIX. MOONSHINE.
XX. THE FANTASTIC VISCOUNT.
XXI. THE HERO OF THE BARRICADES.
XXII. BURGOMASTERS AND GREAT ONE-EYERS.
VOLUME I
Who wisdom's sacred prize would win,
Must with the fear of God begin;
Immortal praise and heavenly skill
Have they who know and do His will.
New Version.
CHAPTER I.
CHARLOTTE.
Farewell rewards and fairies,
Good housewives now may say,
For now foul sluts in dairies
May fare as well as they.
BP. CORBET.
An ancient leafless stump of a horse-chesnut stood in the middle of a
dusty field, bordered on the south side by a row of houses of some
pretension. Against this stump, a pretty delicate fair girl of
seventeen, whose short lilac sleeves revealed slender white arms, and
her tight, plain cap tresses of flaxen hair that many a beauty might
have envied, was banging a cocoa-nut mat, chanting by way of
accompaniment in a sort of cadence--
'I have found out a gift for my fur,
I have found where the wood-pigeons breed;
But let me the plunder forbear,
She will say--'
'Hollo, I'll give you a shilling for 'em!' was the unlooked-for
conclusion, causing her to start aside with a slight scream, as there
stood beside her a stout, black-eyed, round-faced lad, his ruddy cheeks
and loutish air showing more rusticity than agreed with his keen, saucy
expression, and mechanic's dress.
'So that's what you call beating a mat,' said he, catching it from her
hands, and mimicking the tender clasp of her little fingers. 'D'ye
think it's alive, that you use it so gingerly? Look here! Give it him
well!' as he made it resound against the tree, and emit a whirlwind of
dust. 'Lay it into him with some jolly good song fit to fetch a stroke
home with! Why, I heard my young Lord say, when Shakspeare was a
butcher, he used to make speeches at the calves, as if they was for a
sacrifice, or ever he could lift a knife to 'em.'
'Shakspeare! He as wrote Romeo and Juliet, and all that! He a
butcher! Why, he was a poet!' cried the girl, indignantly.
'If you know better than Lord Fitzjocelyn, you may!' said the boy.
'I couldn't have thought it!' sighed the maiden.
Public-domain text, read in full here on John Shaqi.
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