E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No TitleMeans, E. K. (Eldred Kurtz)
General
E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
The face of Dinner Gaze was black, and as expressionless as the ugly
mug of a dough man. There was a long mark upon his cheek where a bullet
had missed the center of his face about two inches. There was a long
knife-scar on the back and side of his neck. A bit of the upper part of
his left ear was missing, sliced off smoothly with a sharp knife or
razor. The end of one of his front teeth was broken off. His eyes were
as steady and unwinking and shiny as two glass beads, his voice was
low and soft and confidential in tone, and his heavy lips carried an
habitual sneer.
Hitch Diamond, who sat beside him, was similarly satisfied.
Hitch’s appearance cried aloud his profession of pugilist. His face
was a scarred ruin, battered and bruised in many a fistic battle
until it resembled the face of the Sphinx since it has been pecked at
and damaged by the souvenir hunters and sandstorms of the centuries.
His ponderous hands looked like the gnarled and twisted roots of
a scrub-oak tree, while his legs were like the Corinthian columns
supporting the portico of a temple.
Hitch had made a trip to New Orleans for pugilistic purposes. At the
end of the second round, Hitch had looked down at his opponent, then
waved his gloved fist at the whooping crowd and remarked: “I know whut
I done to dat coon! He’s gwine sleep a long time!” After which Hitch
had collected a hatful of money and remained in New Orleans long enough
to get it all nicely spent except a puny wad in one pocket of his shiny
new pantaloons.
Every rag of clothes on Hitch’s giant body was entirely new. He was
swathed in a Prince Albert coat, choked and tortured by a high collar
and a stiff-bosomed shirt; a glorious silk hat, all white silk lining
on the inside, and smooth, shiny, imitation beaver on the outside,
rode on his head; while on his feet were a pair of patent-leather shoes
which had caused him a world of trouble in the city.
He had walked for miles, in and out of the stores, seeking a pair of
shiny shoes which would fit his immense feet. Shoe clerks had taken
one look at those pedal extremities and had thrown up their hands in
despair. But Hitch had persisted in his search, and now it was plainly
apparent to all that Solomon in all his glory was not shod like such as
he.
Dinner Gaze was listening with great interest to Hitch’s talk.
“I ain’t went to N’Awleens befo’ fer mighty nigh five year,” said Hitch
as he extracted a long Perique stogie from the side-pocket of his
gorgeous yellow waistcoat.
Dinner Gaze reached out, took the stogie from Hitch’s giant hand, and
tossed it out of the window. He handed the pugilist a big, fat cigar
with a broad gold band, and grinned in a friendly way. Then he said in
his low, gentle voice:
“Ef you wants me to set by you, don’t smoke no roll of rags an’
garbage. Take a real seegar!”
Public-domain text, read in full here on John Shaqi.
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