E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No TitleMeans, E. K. (Eldred Kurtz)
General
E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
“Thank ’e, suh,” Hitch murmured gratefully, removing the gold band and
fitting it carefully upon his little finger where he admired it as a
maiden admires her engagement ring. “I’s powerful sorry dar ain’t no
lady folks in dis car to see me smoke dis. I ain’t never feel like I
had enough money to ack liberal an’ buy real smokes.”
“Ain’t you spek dat you got a wad to tote home from de city wid you?”
Gaze inquired carelessly, as he tore a page from a newspaper and began
idly to roll it tightly.
“Shore!” Hitch chuckled. “I totes it in my behime hip-pocket next to
my heart, whar unpious niggers totes dey gun. But most of dat is jes’
show money--’tain’t much, an’ I got it wropped up in a roll to make it
look like a plenty. Fawty dollars is all whut is lef’ of my trip to de
city--excusin’ de mem’ry of a dam’ good time, an’ dese clothes!”
“Whar you gwine now?” Dinner asked as he fumbled with his paper.
“I’s gittin’ off at Sawtown,” Hitch replied. “I been livin’ aroun’
in dis part of de worl’ all my life, an’ I ain’t never seed dat big
saw-mill town yit. ’Tain’t been but ’bout fo’ year ago dat Sawtown
started off--when dey sot dat big mill dar in de woods.”
“I’s proud I met up wid you, Revun,” Dinner Gaze said. “I lives in
Sawtown, an’ I’ll show you all de good p’ints in de place.”
Hitch opened his mouth to deny that he was a preacher, but the negro’s
natural love of the game of make-believe prevented him. His slow mind
evolved the humor of the situation, and he bestowed a pious smile upon
the man beside him.
“Thank ’e, suh. I ain’t gwine let nothin’ git past me. I’s gwine to all
de shows, an’ drink all de ice-water I kin git, an’ chaw peanuts, an’
git right in de middle of de cullud high life.”
“Dat picayune way of seein’ Sawtown won’t git you nothin’,” Dinner
Gaze grunted disgustedly. “Bust her wide open, Revun!”
“How is dat did?” Hitch wanted to know.
“I’ll show you!” Gaze told him.
“Whut job does you wuck at in Sawtown?” Hitch asked.
“I’m gittin’ ready to sot up a little nigger gamblin’-house in Sawtown
now,” Dinner replied cautiously, after a moment’s hesitation. “Befo’
dat, I managed a string of nigger prize-fighters in N’Awleens.”
Hitch raised his battered head like an old, scarred war-horse when he
hears the bugle-call for charge. Then he remembered that Gaze thought
he was talking to a clergyman.
“Dat shore sounds familious to me,” Hitch laughed. “I used to be a
prize-fighter my own se’f!”
“Hear dat, now!” Dinner Gaze exclaimed. “I knowed you an’ me wus
kinnery when I fust cotch you wid my eye. How come you left de great
perfesh?”
“A nigger put a chunk of lead in his glove an’ battered me clean acrost
a wharf-boat,” Hitch narrated, drawing upon his imagination, and
recalling an incident in the career of his friend, the Reverend Vinegar
Atts. “Atter dat I felt a call to preach.”
“Mebbe you could come back,” Gaze suggested.
Public-domain text, read in full here on John Shaqi.
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