E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No TitleMeans, E. K. (Eldred Kurtz)
General
E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
“Dat’s de little Figger Bush I mourns,” Popsy said. “Dat’s Scootie’s
dead husbunt. You ain’t look like him a bit--you look like a picked
geese!”
“I’s de very same man, Popsy!” Figger wailed in desperation. “Only but
I done had my hair an’ mustache cut off.”
“I don’t believe it!” Popsy declared in positive tones. “I raised dis
here Figger Bush, an’ I knows he never earnt enough money in his dum
lazy life to commit a shave an’ a hair-cut!”
“O Lawdy, whut muss I do?” Figger wailed.
“Git away from dis cabin an’ don’t never show yo’se’f here no mo’!” the
old man howled. “I wouldn’t b’lieve you wus Figger Bush ef you sweared
on de Bible an’ all de twelve opossums!”
Popsy pounded upon the floor of the porch with the end of his long
staff.
“O Scootie!” he called. “Git outen dat kitchen an’ come here a minute.”
Hope flamed up in the heart of Figger. He knew that no one could
convince Popsy that he was not dead more certainly than the woman who
pretended to be his widow.
Scootie came out upon the porch and gazed with popping eyes at Figger
Bush.
“Is dis here nigger yo’ dead husbunt?” Popsy snapped, pointing a
palsied finger at Figger.
“Naw, suh,” Scootie replied truthfully.
The old man stood up. He caught his long staff at the little end as a
man grasps a baseball bat. He balanced it a moment, poising himself on
his feet, as if he were getting ready to knock a “homer,” aiming the
stick at Figger’s round, ball-like head!
“_Git out!_” Popsy whooped.
Figger got out.
* * * * *
Early the next morning Scootie sent two wagonloads of household goods
to the log cabin in the rear of Colonel Tom Gaitskill’s home, where
Popsy had taken his young wife fifty-five years before.
Scootie deposited these goods in the two front rooms, fixing them up
so that Popsy would have a comfortable place after his arrival, and
while she was arranging the rest of the rooms. In one room she placed a
rickety sofa, a couple of chairs, and a table. She hung a few pictures
on the wall, placed a few ornaments upon the mantelpiece, and from the
spring beside the house she brought a pitcher of water, placed it on
the table, and set a drinking glass beside it.
In the other room she set up Popsy’s bed, placed beside it the only
comfortable rocking-chair she possessed, put Popsy’s old, battered
suit-case, which contained all his worldly goods, under the bed, and
placed upon the mantelpiece all the tobacco and pipes which her late
husband had left her.
Then she returned to her own cabin to superintend the removal of the
remainder of her goods.
As she came into the yard, Popsy called to her from his seat on the
porch.
“I ain’t no good settin’ here in dis rockin’-chair, Scootie. I’ll be
gittin’ along to’des my own cabin!”
“Don’t go yit, Popsy,” Scootie begged. “Wait till de nex’ wagon comes.
I’ll set de rockin’-chair up in de wagon an’ let you ride to yo’ cabin
wid de load!”
Public-domain text, read in full here on John Shaqi.
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