E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No TitleMeans, E. K. (Eldred Kurtz)
General
E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
Wail after wail arose from the crowd of negroes in front of the Shoofly
Church, and Hitch turned and looked at them as if he did not realize
where he was.
Vinegar Atts ran out and placed his trembling hand upon Sheriff
Flournoy’s dusty stirrup.
“Whut dey got Hitch fer, Marse John?” he sobbed.
“Murder!” Flournoy growled through jaws which were shut together like a
bear-trap. “He killed the night watchman at the Sawtown mill!”
The party started again, and Vinegar stood in his tracks as if turned
to stone.
It seemed to take a few minutes for the Shoofly congregation to
comprehend what Flournoy had said, or else the shock was so great that
even their emotions could find no expression, voluble as they are as
a race. Then a moan of sorrow swept like a deep-toned note from some
mighty musical instrument; it was rich, melodious, heart-breaking--an
expression of the deepest and most acute grief of their humble lives.
For Hitch was the hero of the colored population of Tickfall. They had
shared his glory as victor in many a hard-fought fistic battle. They
had won many dollars on his prowess as a boxer. They had helped to
train him and perfect his wonderful physical organization for every
contest he had ever participated in, and they loved him!
And Hitch deserved their affection. According to his lights he was a
good man, a clean liver, one who took the best care he knew how of his
superb body. There was nothing vicious or ugly about his disposition.
He was merely a great, strong, bone-headed pugilist, who had made the
most of himself by developing and using the best talent he possessed,
namely, his giant strength.
Still moaning like the sea as the tide flows out, the Shoofly
congregation flowed out into the road and fell in behind, forming a
long procession of sorrowing friends.
Suddenly, above the low moan, in a tone which ripped and roared and
snarled like the angry water breaking through a levee, came the mighty
voice of Ginny Babe Chew:
“Murder! Murder! Murder! Whut do Gawd Awmighty think about dat?”
She pranced down the street, thrusting the people aside with her
ponderous body as a steamboat cuts through the mushy ice upon a river.
Her voice howled like a wolf’s call, with a taunting, bark-like,
malicious, nerve-searing gratification:
“Murder!”
She managed to reach the head of the procession and walked just behind
Sheriff Flournoy’s horse.
She whirled round and round like a Dervish, stooped and threw dust in
the air, tore her clothes, and waving her fists at the sky shrieked
like a maniac:
“Murder! Murder! Murder!”
John Flournoy stopped his horse, and turned and looked at her with a
queer expression upon his face. Once he opened his mouth to speak, then
shut his jaws tight, turned his eyes forward and rode on.
“Murder!” Ginny Babe Chew screamed.
Public-domain text, read in full here on John Shaqi.
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