E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No TitleMeans, E. K. (Eldred Kurtz)
General
E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
Vinegar Atts could endure the horror no longer. He ran forward, and
caught Ginny Babe by her fat shoulder and whirled her around. Vinegar
had had years of experience as a pugilist and was Hitch’s boxing
partner to this day. He knew exactly where to place his blow.
His open palm with all his strength behind it flattened upon Ginny
Babe’s squalling lips. She uttered a low grunt, and fell in the street.
John Flournoy looked back and nodded his approval.
The crowd coming behind split in two halves, and walked around Ginny’s
prostrate body, noting without pity that a stream of blood was flowing
from her thick lips. The crowd behind had been augmented by hundreds
before they reached the Hen-Scratch saloon.
Skeeter Butts had just come to town in his automobile, and was standing
in front of his place of business. His face turned the color of ashes,
and his lips stiffened with horror as he realized what was coming down
the street to meet him.
“Oh, Hitch!” he wailed. “Shorely dey ain’t got you right, is dey,
Hitch? Tell me dat dey done missed it!”
But Hitch was too tortured to reply. He cast one lingering look upon
his friend, and turned away with blood-shot, agonized eyes. Skeeter
Butts reeled back from the middle of the street and covered his eyes
with his trembling hands.
For a while after that the procession moved forward in silence. Then
a succession of piercing screams shattered the atmosphere. A handsome
girl, whose hands and face were the color of old gold, came running
down the street, and threw her arms around Hitch Diamond’s neck.
“Oh, Hitchie! Hitchie! Hitchie!” she screamed.
It was Goldie Curtain, Hitch’s wife.
For a moment Hitch’s giant body wavered, his knees bent under him, and
he staggered as if about to fall. He stopped and leaned heavily upon
the sobbing girl whose arms clasped his neck.
“Move on!” a sharp-voiced officer spoke.
Goldie Curtain fell in the dust of the street like one dead. Sheriff
Flournoy, whose face was turned to look behind him, did not see her
lying there. His nervous horse leaped over her prostrate body.
Vinegar Atts, sobbing aloud, picked the girl up in his powerful arms,
carried her into her own house and placed her upon a bed. Then he came
out and joined again with the crowd which followed Hitch until the
doors of the jail closed behind him.
When Hitch had passed out of sight behind those doors, Ginny Babe
Chew came staggering down the street, wiping the blood from her lips
and the front of her dress. She stood in the middle of the street in
front of the jail, shrieking like a maniac. She stooped and gathered
handfuls of sand and tossed them into the air above her head, while her
calliope-like voice shrieked again and again:
“Good-by, Hitch! Good-by, Hitch! Good-by, Hitch!”
XI
UP AGAINST IT.
A whole week passed during which Skeeter Butts sat in the Hen-Scratch
saloon, nervously smoking cigarettes and listening to the whispered
tales which came to him from his negro friends.
Public-domain text, read in full here on John Shaqi.
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