E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No Title — John Shaqi
E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No TitleMeans, E. K. (Eldred Kurtz)
General
E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
Scootie promptly hit the ground with both feet, landing by the side of
Figger Bush.
“Come on, honey!” she said, seizing him by the hand. “Less go quick!”
“Kin I go, too?” Little Bit, the driver of the second wagon asked in
a whining tone. No answer was given to him, so he jumped down and
followed.
From the top of the hill, they looked down to where the red brick
court-house baked in the summer sun. Side by side they started toward
the court-house, and the new life.
On the other side of the hill, sole guardian of the grand old man in
the cabin, the mocking-bird sat in the pecan tree and sang its song of
love.
Hoodoo Eyes.
The swinging doors of the Hen-Scratch saloon fell apart and Conko Mukes
walked in.
He was a large man and, to look at, very impressive.
The negroes in Tickfall had never seen clothes like his, so large in
stripe and so variegated in color. On either lapel of his coat was a
large, brassy emblem of some secret lodge.
On the middle finger of each hand was a rolled-gold band ring nearly
an inch wide. Across the vast expanse of his sky-muckle-dun-colored
waistcoat was a gangrened near-gold watch-chain like the cable chain
of a Mississippi River steamboat, and a charm suspended from it was
constructed of the talons of an eagle.
His ponderous feet shook the floor as he walked across the saloon and
seated himself at a table. Removing his stove-pipe hat, he placed
that upon one chair, kicked another chair from under the table on
which to deposit his feet, and leaned back in a third chair, with his
gorilla-like arms resting comfortably across the back of a fourth. The
barroom appeared to be empty.
“Hey, dar! Come here--eve’ybody!” he bellowed.
Skeeter Butts peeped at Conko Mukes around the corner of the bar behind
which he was sitting.
The black face which he beheld advertised unmistakably what Conko Mukes
was. It was the mug of a typical prize-fighter.
The face was clean-shaven, accentuating a jaw, heavy, brutal,
aggressive. His head was also shaven, and every bump on his villainous
cranium stood forth like a promontory on a level plain. His eyes were
heavy-lidded, lazy, sleepy-looking, like the eyes of a lion.
The nose had been broken and was crooked; his thick lips had been
battered in many fights until they were shapeless, and the mouth was
simply an ugly gash across his face. And to complete the adornment,
one ear was “tin” and the other was cauliflower, both permanently
disfigured and disfiguring.
Conko Mukes moved in his chair as if burdened by the heavy weight of
his muscles, and his heavy-lidded eyes glowed yellow in the dim light
of the saloon as he glared around him. Again his voice boomed:
“Hey! Am eve’ybody done hauled off an’ died? Come out here, Skeeter
Butts--whut’s hidin’ you?”
“I guess dis is my move-up,” Skeeter remarked as he pocketed a handful
of silver which he had been counting behind the bar and came to the
table.
Public-domain text, read in full here on John Shaqi.
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