E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No TitleMeans, E. K. (Eldred Kurtz)
General
E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
“’Scuse me, boss! Beg parding, kunnel! Fer Gawd’s sake, don’t lemme
disturb you-alls! Gotter git to de drug-sto’ prompt, cap’n. Please,
suh, let a po’ mis’ble nigger git by fer de white folks’ med’cine.
Thank ’e, suh, de Lawd is shore gwine bless you fer dis nigger’s sake.”
By the time Conko Mukes was within four feet of the box on which Zodono
stood, the professor had resumed his speech and the crowd had forgotten
the interruption. Mukes stopped where he was and listened.
“Every positive character in the world has this power of hypnotism over
every negative character,” the professor proclaimed. “It is the simple
power of mind over mind by suggestion--all of which I shall prove to
you to-night at the opera-house for a few nickels admission--price,
fifteen and twenty-five cents!”
At this point one of the professor’s assistants walked toward the box,
his feet dragging and moving as if some one had him by the shoulders,
leading him forward. His thin arms dangled at his sides, and his bony
fingers twitched and writhed like the tail of a snake.
He climbed upon the box with awkward movements as if the joints of his
shoulders and hips were stiff and the hinges rusty, and they hurt him.
He walked slowly, reluctantly toward Zodono, and the professor threw up
his hand, snapped his fingers, and cried “Stop!”
The assistant flinched, dodged like a dog, and the crowd snickered.
“My Gawd!” Conko Mukes mumbled in a low tone. “Look at dat!”
For a moment the professor glared in the eyes of his assistant; then
his hands began making slow, stroking motions downward before the
subject’s face. Red spots came and went in the bleached cheeks of the
hypnotic; his breath was short and quick; his nostrils and lips were
pinched.
The crowd looked on breathlessly as the hand of the professor, fingers
outstretched, clawed the air before that weak, chalky face, with its
twitching lips and feeble, trembling chin.
“Ah!” the professor exclaimed theatrically, grinning his triumph in the
face of the crowd.
“Ah!” the crowd echoed with an expulsive sound of breath released after
a moment of breathless attention.
The man stood before them, asleep on his feet, his body waving slowly
like a feather suspended from a thread and gently wafted by a slight
breeze.
The druggist and his two clerks came out, picked up the hypnotic, who
was as stiff as a board; carried him into the drug-store, and laid him
flat on his back in the show window.
Then the druggist unfolded a sheet, covered the body, tucked the
covering close around the sleeper’s chalky face, and stepped across the
store to the soda-fountain with an eye alert and a hand ready for trade.
“Remember, gents!” Professor Zodono exclaimed. “An educational and
instructive show for men, women, and children--opera-house to-night at
eight o’clock sharp--fifteen and twenty-five cents!”
Public-domain text, read in full here on John Shaqi.
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