E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No TitleMeans, E. K. (Eldred Kurtz)
General
E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
Vinegar Atts, the referee, came over and shook Hitch by the hand. Atts
was a broken-down pugilist whom the Lord had called to preach after his
last K. O., and he and Hitch were great friends.
“How you feelin’, Hitchey?” Vinegar wanted to know.
“Feel as sweet as a fly in a vat of merlasses,” Hitch grinned.
“Don’t let yo’ knock-out punch git sour,” Vinegar grinned. “I got all
my loose change on you.”
There was another roar of applause, and Conko Mukes emerged from his
plum-thicket and came through the crowd, his knotty, shaved head
shining in the sun like a block of ivory. His scarred and villainous
face, with its mashed lips and broken nose and iron jaw, glowed with
excitement and enthusiasm.
The mob applauded without partizanship as he climbed through the ropes
and sat down in his corner.
Each pugilist eyed the other curiously, but neither could see much, for
both were swathed in horse-blankets.
Prince Total and a scar-faced negro named Possum, Hitch Diamond’s
seconds, slipped on Hitch’s gloves and laced them tight, while Skeeter
Butts and Figger Bush performed the same office for Conko Mukes.
Then the seconds removed the heavy woolen horse-blankets, and the
two fighters stood forth in their ring costumes, visible in all
their fighting strength for the first time to the crowd--both men
deep-chested, heavy-thewed, with muscles which moved like live snakes
under their black-satin skins, their bodies acrawl with life and brutal
power.
The two men advanced and touched gloves.
Then something happened which would make old John L. Sullivan laugh
till he dislocated his iron jaw.
You who follow the fistic combats of Jess Willard and other white hopes
and hopelessnesses, know that for months before the combatants meet in
the ring their press-agents are busy informing the public what each
pugilist says he expects to do to his opponent.
In the negro prize-fights in the South, the pugilist, lacking the
press-agent, demands the right to make a speech before each round of
the fight, in which he tells his friends and backers what he expects to
do to his opponent in the next round.
Can you beat that?
So, in accordance with this custom, after the two fighters had touched
gloves, Hitch Diamond went back to his corner and sat down.
Conko Mukes stepped to the middle of the ring and bellowed:
“I’s de great unwhupped Tuskeegee Cyclome. I fights any nigger whut
misdoubts my words! I’s de brayin’ jackass of Georgia, an’ no nigger in
Tickfall cain’t comb my mane!”
He sprang up, cracked his heels together, waved his gorilla-like
arms in the air, and uttered a piercing whoop which echoed like a
steam-whistle far down the Dorfoche Bayou.
Thereupon Hitch Diamond sprang to his feet and howled:
“I fights any nigger in the worl’ fer two bits, fer a chaw terbaccer,
fer a watermillyum rind, fer de tail of a tadpole!”
He jumped three feet in the air, cracked his heels together like two
clapboards, and shrieked:
Public-domain text, read in full here on John Shaqi.
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