E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No TitleMeans, E. K. (Eldred Kurtz)
General
E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
“Turn around and go back, gentlemen,” the sheriff said courteously.
“Start your one-man band to playing another tune, and go back!”
In the center of the street there was a rut which had been made by
wagon wheels.
The mob moved slowly forward, and stopped at this rut like children
toeing a mark in a spelling-match. They seemed to feel that a contest
was on, and that this rut was the dead-line.
“We want them niggers, sheriff,” Barto Skaggs said.
“You shall not have them,” Ulloa replied quietly and forcibly.
“When you kill those blacks every man of you is a murderer. I shall
not be sheriff of a parish which contains sixty murderers--men of
prominence--running at large!”
“Aw, come off, George!” an impatient voice exclaimed. “You’ve kilt a
plenty of coons in your day!”
“Yes, gentlemen, I have,” Ulloa answered quickly. “_I have never been
slow to kill!_ And I was elected sheriff of this parish _by you_ for
the one purpose of totally abolishing this wholesale slaughter of
innocent and unoffending blacks, and for the protection of offenders
from mob violence in order that the law might take its course. I shall
do it.”
Looking into the quiet, determined face of the officer, the mob
wavered. Then the half-wit’s snare-drum voice rallied them:
“Gon’er git them niggers! Gon’er git them niggers! Gon’er git----”
The mob took one cautious step forward. Ulloa drew his pistol from his
pocket.
“That’s far enough, fellow citizens,” he said, and now his voice
drawled like the purr of a cat and was deadly in its menace. “When you
get those niggers I won’t be the sheriff of this parish. I’ll be dead.
I don’t know who’ll get me, but I’ll kill the first man who takes the
next step forward!”
The mob packed denser, became tense, throbbed like an automobile
when the power is turned on. Ulloa’s eyes gazed straight into the
destructive orbs of Barto Skaggs and held him like a hypnotist. Then
the half-wit began:
“Gon’er git--them niggers! Gon’er git----”
A back-handed blow from Barto Skaggs’s fist struck the half-wit fairly
in the mouth and sent him reeling backward, disarranging for a moment
the tense compact mass of men.
Then from the second-story front window of the jail, just above the
sheriff’s head and behind him, there came a sound which caused the
sheriff’s swarthy face to whiten to the eyebrows--the most unfortunate
thing which could have happened to his cause:
“Oo-oh! My Gawd, my Gawd! De mobbers is comin’! De mobbers!”
Instantly the mob crouched like panthers ready to spring.
VIII
MOB AND MUSIC.
Up to the moment when their frightened screams had stirred afresh the
mob’s lust to kill, Mustard and Pap Curtain had been totally ignorant
of what was occurring outside the jail. Wandering idly to the window to
look out, they had seen what every negro dreads, whatever the reason
for his incarceration--a mob.
Public-domain text, read in full here on John Shaqi.
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