Earl Hubert's Daughter: The Polishing of the Pearl - A Tale of the 13th CenturyHolt, Emily Sarah
General
Earl Hubert's Daughter: The Polishing of the Pearl - A Tale of the 13th Century
Holt, Emily Sarah
England -- Social life and customs -- 1066-1485 -- Fiction; Historical fiction
The wonderful chamber in question was not very spacious, being about
sixteen feet in length by twelve in width. It had a wide fireplace at
one end--there was no fire, for the spring was just passing into
summer--and two arched windows on one of its longer sides. The
fireplace was filled with a grotto-like erection of fir-cones, moss, and
rosemary: the windows, as Margaret triumphantly pointed out, were of
that rare and precious material, glass. Three doors led into other
rooms. One, opposite the fireplace, gave access to a small private
oratory; two others, opposite the windows, communicated respectively
with the wardrobe and the ante-chamber. These four rooms together, with
the narrow spiral staircase which led to them, occupied the whole floor
of one of the square towers of the Castle. The walls of the bower were
painted green, relieved by golden stars; and on every wall-space between
the doors and windows was a painted "history"--namely, a medallion of
some Biblical, historical, or legendary subject. The subjects in this
room had evidently been chosen with reference to the tastes of a girl.
They were,--the Virgin and Child; the legend of Saint Margaret; the
Wheel of Fortune; Saint Agnes, with her lamb; a fountain with doves
perched upon the edge; and Saint Martin dividing his cloak with the
beggar. The window-shutters were of fir-wood, bound with iron. Meagre
indeed we should think the furniture, but it was sumptuous for the date.
A tent-bed, hung with green curtains, stood between the two doors. A
green velvet settle stretched across the window side of the room. By
the fireplace was a leaf-table; round the walls were wooden brackets,
with iron sockets for the reception of torches; and at the foot of the
bed, which stood with its side to the wall, was a fine chest of carved
ebony. There were only three pieces of movable furniture, two
footstools, and a curule chair, also of ebony, with a green velvet
cushion. As nobody could sit in the last who had not had a king and
queen for his or her parents, it may be supposed that more than one was
not likely to be often wanted.
The Countess of Kent, as the elder sister, took the curule chair, while
her sister Marjory, when the inspection was finished, sat down on the
velvet settle. Margaret drew a footstool to her aunt's side, and took
up her position there, resting her head caressingly on Marjory's knee.
"Three whole years, Aunt Marjory, that you have not been near us! What
could make you stay away so long?"
"There were reasons, Magot."
The two Princesses exchanged smiles again, but there was some amusement
in that of the Countess, while the expression of her sister was rather
sad.
Margaret looked from one to the other, as if she would have liked to
understand what they meant.
"Don't trouble that little head," said her mother, with a laugh. "Thy
time will come soon enough. Thou art too short to be told state
secrets."
Public-domain text, read in full here on John Shaqi.
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