In Providence, William Hamlin used the designation in the first part of the 19th century, while Philadelphian John Gould featured the sign at the end of the 18th century. During an even earlier period, William Hinton designated his address to be "At Hadley's Quadrant" in New York City. Both Gould and Hinton were English, which may have had some bearing on their selection of the quadrant as a symbol of their merchandise. Other signboards were as colorful, such as Jonathan Dakin's "Sign of the Hand and Beam," James Youle's "Sign of the Cross-Knives and Gun," and Charles Kugler's house in Philadelphia with its "Sign of the Seven Stars" (that is, Great Bear), which housed the shops of several instrument makers. The two most interesting and significant of the instrument makers' trade signs were those advertising the shop of Samuel Thaxter. The first of these was the carved wooden figure of "The Little Admiral," which was a favorite landmark at No. 1 Long Wharf in Boston for almost a century and a half. It was the handiwork of John Skillin, the 18th-century woodcarver of Boston, upon whose death on January 24, 1800, the _Chronicle_ commented that "he was for many years the most eminent of his profession." John Skillin and his brother Simeon worked in Boston from about 1777 and produced most of the figureheads that issued from that port during that period, as well as a number of other notable ornamental wooden figures. [Illustration: Figure 37.--"The Little Admiral," trade sign used for almost a century and a half in Boston, first by William Williams and later by Samuel Thaxter. Reputed to have been carved by John Skillin of Boston. In collection of the Bostonian Society.] According to Mrs. H. Ropes Cabot of the Bostonian Society, the figure of "The Little Admiral" (fig. 37) had been carved for William Williams, who brought it with him to Boston from Marblehead in 1770 when he established his shop. The figure was installed in front of the Crown Coffee House, and Williams's shop was thereafter designated by this symbol. The trade sign survived through the years of the Revolutionary War. When the original building of the Coffee House was burned, the carving was saved and installed on the new building erected in its place. In an account of Boston landmarks, Porter[79] related the figure to the Admiral Vernon Tavern at the eastern corner of Merchants Row. He was proved to have been in error, however, since the trade sign of that public-house was a portrait bust of Admiral Vernon and the place was known as the Vernon Head Tavern for half a century, even after the end of the Revolution.