Early German music in PhiladelphiaDrummond, Robert Rutherford
History
Early German music in Philadelphia
Drummond, Robert Rutherford
Music -- Germany -- History and criticism; Music -- Pennsylvania -- Philadelphia -- History and criticism
“There are several of Tannenberg’s organs yet in breathing existence
[1857]. Lancaster, Litiz, and Nazareth still hold his memory in
audible and respectful tones; and much of his work is worthy of
imitation. His diapasons were particularly dignified, whilst his upper
work, 12th, 15th, and sesquialtera, gave brilliancy to the whole.”[63]
This testimony of Abraham Ritter, an organist of good standing in the
Moravian Church, gives some idea of the excellence of the work and of
the reputation which Tannenberger still had in the nineteenth century.
In a letter written from Lancaster, Dec. 24, 1770, the following
testimony is added:
“Yesterday we had the pleasure of hearing, for the first Time, the new
Organ, in the High Dutch Reformed church of this Place, accompanied
with a variety of vocal Music, composed on the Occasion which I may
venture to say, not only from my own Experience, but the Approbation
of all present, was never equalled in any Place of Worship in this
Province, or perhaps upon this Continent. The Organ was made by Mr.
David Tannenberg, of Litiz, a Moravian Town not far from this Place;
and I dare venture to assert, is much superior in Workmanship and
Sweetness of Sound, to any made by the late celebrated Mr. Feyring,
who was so justly taken notice of for his Ingenuity; does great Honour
to the Maker; is worth the Attention and Notice of the Curious, who
may happen to pass this way; and will undoubtedly recommend him to all
who are desirious of having Works of that Nature.”[64]
In spite of his reputation as an organ builder, we learn that in 1790
he was a bankrupt.[65] He died May 19, 1804, stricken by paralysis
while tuning an organ at York, Pa.[66]
We have already spoken of Gottlieb Mittelberger and his organ, and,
although we cannot depend upon his statements, there may be some truth
in his somewhat exaggerated account of the dedication of his organ.
It is at least interesting, and shows that the people as a whole were
certainly not prejudiced against music. He says:
“After this work had been set up and tuned it was consecrated with
great rejoicing and delivered to the Christian St. Michael’s Church
for the praise and service of God.
“The crowd of hearers was indescribably large; many people came from
a great distance, 10, 20, 30, 40 and even 50 hours’ journey, to see
and hear this organ. The number of hearers, who stood inside and
outside the church, both German and English, were estimated at several
thousands. I was appointed school-master and organist. As I became
more and more known in Pennsylvania, and the people learned that I had
brought fine and good instruments with me, many English and German
families came 10, 20 and 30 hours’ journey to hear them and the organ,
and they were greatly surprised because they had never in all their
lives seen or heard an organ or any of those instruments.[67]
Public-domain text, read in full here on John Shaqi.
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