Early German music in PhiladelphiaDrummond, Robert Rutherford
History
Early German music in Philadelphia
Drummond, Robert Rutherford
Music -- Germany -- History and criticism; Music -- Pennsylvania -- Philadelphia -- History and criticism
While confining myself to secular music, I thought it necessary in
the first period to treat somewhat in detail the religious music,
especially as the religious music was of more importance in the first
half century than the secular music. So, too, I have gone into detail
somewhat more in the first two periods than in the last, because these
periods have not been so thoroughly investigated as the last period
has. It may be objected by some, that I have not adequately considered
the concert life of the last period. To these I would say that this
period has been fully covered by O. G. Sonneck in his “Early Concert
Life” in such a manner that I, at least, could not improve upon it.
It is hoped that this book may help to correct the false impression,
that musical taste in America in the 18th century was an unknown
quantity.
* * * * *
This study was undertaken at the suggestion of Prof. Marion D. Learned
and to him I am especially grateful for aid and encouragement in
preparing the work. To O. G. Sonneck of the Library of Congress I am
greatly indebted not only for material found in his books on early
American music, but also for his extreme kindness in placing at my
disposal unpublished material. His suggestions and encouragement have
been of great help to me. I wish to acknowledge here the courtesy
extended to me by the officers and attendants of the Pennsylvania
Historical Society and the Library of University of Pennsylvania and
also the aid given to me by various friends.
This Study was submitted in partial Fulfillment of the Requirements for
the Degree of Doctor of Philosophy, at the University of Pennsylvania,
1909.
ROBERT R. DRUMMOND.
Bangor, Me. Sept. 1, 1909.
TABLE OF CONTENTS.
Introduction 1
Part I. Beginnings before 1750 3
Chapter I. Hymn Music of Germans in Philadelphia 5
Chapter II. Church Music and the Manner of its Performance 11
Chapter III. Secular Music 24
Part II. Period of Progress (1750-1783) 35
Chapter IV. Music Teachers 37
Chapter V. Music Dealers, etc. 40
Chapter VI. Concert Music 45
Part III. Period of Greatest Development (1783-1800) 55
Chapter VII. Alexander Reinagle 57
Chapter VIII. Philip Roth and Philip Phile 76
Conclusion 84
Appendix. List of Reinagle’s Compositions 85
INTRODUCTION.
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