“I am sorry to inform you that I have been obliged to resolve upon stopping the Magazine with No. 6. I have been much disappointed in my editors, who have done little in the way of writing or procuring contributions. Ever since the work began I have had myself almost the whole burden of procuring contributions, which by great exertions I got from my own friends, while at the same time I had it not in my power to pay for them, as by our agreement the editors were to furnish me with the whole of the material, for which and their editorial labors they were to receive half of the profits of the work. I found this would never do, and that the work would soon sink, as I could not permit my friends (who have in fact made the work what it is) to go on in this way for any length of time.... I gave a notice, according to our agreement, that the work would close at the period specified in it--three months. Instead, however, of Pringle acting in the friendly way he professed, he joined Cleghorn, and without giving any explanation, they concluded a bargain with Constable and Company, by which I understand they take charge of their (Constable’s) ‘Scot’s Magazine’ as soon as mine stops.” “It is not of the least consequence to me losing them, as they were quite unfit for what they undertook.... I have, however, made an arrangement with a gentleman of first-rate talents by which I will begin a new work of very superior kind. I mention this to you, however, in the strictest confidence, as I am not at liberty yet to say anything more particularly about it.... My editors have very dishonestly made it known to a number of people that we stop at the sixth number. This will interfere a little with our sale here, but I hope not with you.” The editors wrangled at great length, but Blackwood’s mind was made up, and as we see by the foregoing letter, already launching new plans and busy with them. A letter to Pringle and Cleghorn, gives us the first hint of John Wilson’s connection with the magazine (other than mere contributor), and shows the tone of finality with which Blackwood could treat what was to him a settled subject: