Early memories; some chapters of autobiography — John Shaqi
Early memories; some chapters of autobiographyYeats, John Butler
General
Early memories; some chapters of autobiography
Yeats, John Butler
Authors, Irish -- 19th century -- Biography; Portrait painters -- Ireland -- Biography; Yeats, John Butler, 1839-1922
You see, he knew so much that no opinion and no theory could cover what
he knew. Doubtless, had he liked he might have denied what he knew and
rushed into the fray and been as clamorous and vulgar as anybody. This
did not tempt the solitary man, nourishing himself on the indwelling
spirit of brooding truth. When I think of him and others of his sort I
have known in Ireland, Synge, for one, I am reminded of the great
Russian writers. In old age Tolstoi made strange incursions into the
world of opinion, and found what he wanted in the New Testament, and
Dostoïevsky, if I remember rightly, fell back on the Orthodox Greek
Church. For this kind of futile industry neither had any aptitude. I
suppose their sensitive minds heard the call of the spirit of the age.
Had George taken to opinions he would have been just as credulous and
unskilful as these mighty men. Living all his days in the West of
Ireland, far from books and from leaders of thought, the spirit of the
age did not come his way. And how does Shakespeare figure in the world
of opinion? Did he ever take lance in hand to fight on behalf of any of
the opinions of his day? I fancy that like Hamlet he had too much mind
to make up! Is it not a fact attested over and over again that poets
always know too much to give entertainment to any system of opinion,
however loudly it clamours for admittance.
These men have to live in the hermitage of their own minds. The poet
always is solitary and never more solitary than when most sociable, and
it is because it lacks the fervour of heated opinion that good
literature avoids emphasis. I am perfectly alive to the value of the
fighting man when in the ranks and under strong discipline, or
self-appointed, as he often is, to subordinate tasks, as when an artist
produces the hideous to excite the crowd and to interest them in some
good cause that without the stimulus of hatred would not appeal to them.
Hatred so difficult to a full mind is so easy to an empty one. I don't
believe there was ever a great man that was a fighting man--not
Cromwell, he lived surrounded by fighting men but was himself
conciliatory to a degree; not Napoleon, of him a contemporary wrote, 'A
larger soul hath seldom dwelt in a house of clay:' his gift was that of
vision and purpose and an amazing talent for organisation. Had the
French demanded peace his genius would have devoted itself to organising
'the victories of peace.' Luther struggled hard to remain within the
Church, it was the fighting men inside its fold who drove him out. These
great men had purposes and had visions and were never fighting men,
though these were the tools with which they worked.
Public-domain text, read in full here on John Shaqi.
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