The eastern and southern counties appear to have been specially affected by the new movement, for we find considerable traces of it scattered over wide areas, and affecting not only small objects like tombs, but permanent structures. We shall presently see it at Layer Marney Tower, and among other places at East Barsham and Great Snoring in Suffolk; while in Wymondham Church, in Norfolk, the sedilia is made of what appear to be fragments of a tomb much resembling those at Layer Marney in character (Fig. 12). In the southern counties, Sutton Place, near Guildford, abounds in Anglo-Italian detail; some of the woodwork at the Vyne, in Hampshire, is also affected by it. There is some very interesting work of the same nature at the Chapel of the Holy Ghost, at Basingstoke; while at Christchurch, in the same county, the chantry of the Countess of Salisbury is strongly touched with the Italian influence, and at St. Cross, near Winchester, are the very beautiful fragments of a Renaissance screen (Plate VII.). Winchester itself has some good work in the choir of the Cathedral; and still further west, at Bingham Melcombe, in Dorset, there is a charming gable of mixed English and Italian detail. At Lacock Abbey, in Wiltshire, there is a considerable amount of Renaissance work, wrought when the abbey buildings were converted into a dwelling-house soon after the dissolution of the monasteries. [Illustration: 11.--TOMB OF HENRY, LORD MARNEY (D. 1523), LAYER MARNEY CHURCH, ESSEX.] [Illustration: PLATE III. DETAILS FROM THE TOMB OF HENRY, LORD MARNEY.] Some of this work is in stone and some in wood, but some of it is in terra-cotta, and it would be an interesting task to ascertain why this pronounced detail should have been largely confined to these particular districts. The stone and woodwork might have been carved by itinerant Italians wandering some distance from their ports of debarkation; but the terra-cotta must have been cast, and need not have been cast close to where it was fixed, but abroad, and thence conveyed to almost any part of the country. Nevertheless, none of the work entirely loses its English character, whether it was done abroad or not. Some of it must certainly have been wrought by Italians, but about much of it the general impression produced is that it was done by Englishmen with Italian proclivities, rather than by Italians under English orders. [Illustration: PLATE IV. CHAPEL OF THE RED MOUNT, KING'S LYNN. FAN-VAULTING. COWDRAY HOUSE, SUSSEX. FAN-VAULTING OF PORCH.] [Illustration: 12.--FROM THE SEDILIA, WYMONDHAM CHURCH, NORFOLK.] [Illustration: 13.--COWDRAY HOUSE, SUSSEX. VAULTING RIB TO PORCH (CIR. 1540).]