Another fine piece of woodwork, which was being executed contemporaneously with the hall roof at Hampton, was the magnificent rood screen in King's College Chapel, Cambridge (Plate VIII.). There is no record as to who did this work, nor when it was done; but the evidence of the arms, initials, and badges upon it, which are those of Henry VIII. and Anne Boleyn, fixes its date between 1532 and 1536. It has been called the finest piece of woodwork this side the Alps, and its exquisite design and workmanship quite justify the description, and even incline one to omit the limiting line. It is more completely Italian in treatment than any other work of the time, and there is very little trace of Gothic influence. All the mouldings are classic, whereas in the roof at Hampton Court even the Italian pendants have a Gothic feeling in their mouldings. There is, however, a considerable similarity in feeling between the pendants in both cases, and it should be borne in mind that the work at the two places was being carried on simultaneously. Richard Rydge, of London, who carved the pendants at Hampton Court, may have had a hand in the King's College screen; but it is practically certain that the general design and most of the work must have been done by Italians, and the whole screen must be regarded as an isolated example, complete in itself, not growing out of anything that went before it, nor developing into anything afterwards. [3] _History of Hampton Court Palace_, by Ernest Law, Vol. I. [Illustration: 25.--ROOF OF HALL, ELTHAM PALACE, KENT.] [Illustration: 26.--ROOF OF THE GREAT HALL, HAMPTON COURT (1534-35).] [Illustration: 27.--DETAILS FROM THE ROOF OF THE GREAT HALL, HAMPTON COURT.] [Illustration: 28.--HAMPTON COURT. HEAD OF DOOR TO GREAT HALL.]