Just about the time that Nonesuch was being built, Lacock Abbey in Wiltshire was being converted into a residence by William Sharington, who had bought it on the dissolution of the monasteries. He was lord of the manor in 1540, and he died in 1553,[8] so that all the work which he did must be comprised between those dates. One important part of his work is the octagonal tower at the south-east corner of the house (Fig. 29). The detail of the stonework is simple, and, except for certain brackets, does not show much foreign influence, but in the tower are two stone tables (Figs. 30 and 31), evidently made for their situation, which strongly display the new spirit. That one of them was expressly made for William Sharington is proved by his initials and crest being part of its ornamentation; and as a skilful mason named Chapman was working on the new buildings, it is just possible that he may have carved one or both of these tables. It is the table on the middle floor which has its base ornamented with Sharington's initials and crest; from this base rises a central pillar, against which squat four figures of satyrs carrying baskets of fruit and foliage upon which rests the table-top. The satyrs have that curious resemblance about their heads to North American Indians which characterises a number of such figures carved during the latter half of the sixteenth century. The second table (on the top floor) has nothing about it directly connecting it with Sharington. It was evidently intended for a banqueting house, as it is adorned with figures of Apicius, the first authority on the pleasures of the table, Ceres, Bacchus, and an unnamed personage of the same hierarchy. [8] "Notes on Lacock Abbey," by C. H. Talbot, _Wilts. Archæolog. and Nat. Hist. Mag._ Vol. XXVI. [Illustration: 30.--LACOCK ABBEY, WILTSHIRE. STONE TABLE IN TOWER.] Sharington's work is of considerable interest, and includes, in addition to minor matters such as a chimney-piece, chimney-stacks, and panelling, a fine range of stabling (Fig. 32), of which the detail is tolerably simple, and of a character closely resembling that which prevailed twenty years later, although here and there, in a chimney or a bracket, we get a touch more in keeping with what is usually associated with Sharington's own time. In addition to the Renaissance work in the tables there is some tile paving (Plate IX.) which displays, amid the foliage, the vases and the dolphins that form the staple of Italian ornament, the initials of Sharington and his third wife, Grace, his arms (gu., between two flaunches arg. and az., two crosses formée, in pale), and his crest, a scorpion. As Sir William Sharington died in 1553, and it was during the life of his third wife that these tiles were made, they may fairly be dated about 1550. [Illustration: 31.--LACOCK ABBEY, WILTSHIRE. STONE TABLE IN TOWER.] [Illustration: PLATE IX. LACOCK ABBEY, WILTSHIRE. TILE PAVING (ABOUT 1550).