Early Renaissance Architecture in England: A Historical & Descriptive Account of the Tudor, Elizabethan, & Jacobean Periods, 1500-1625Gotch, J. Alfred (John Alfred)
History
Early Renaissance Architecture in England: A Historical & Descriptive Account of the Tudor, Elizabethan, & Jacobean Periods, 1500-1625
Although no attempt seems to have been actually made to carry symmetry
of treatment into the external façades, yet an examination of the plan
made by John Thorpe, the surveyor, at the time that Kirby was built,
shows that such a treatment was contemplated on each of the four faces
(Plate XVIII.). There are other points of interest which Thorpe's
plan elucidates. Having entered through the principal doorway, in
the north or upper side of the plan, and having traversed the length
of the court, we find a projecting porch through which the screens
are reached. The arrangement is the typical one which we have seen
in all the plans yet examined, and which tallies almost exactly with
Dr. Andrew Boorde's advice, already quoted (see page 57), with the
exception that he was opposed to the hall porch being exactly opposite
the entrance gateway. On the right (as the plan lies) are the buttery
and pantry, and the passage leading to the kitchen department; on the
left is the hall. The details of the kitchen department are shown more
clearly than in any of the foregoing houses, which have all undergone
alterations. They comprise the kitchen, with its large fireplace; "the
pastry," where the ovens are; the dry larder under it; the surveying
place; and the wet larder. Close to these, and approached by the
kitchen passage, is the winter parlour, a room which occurs on many
plans of the time in close proximity to the kitchen. This endeavour
to get a living room conveniently situated for winter use is one of
the refinements which were now creeping in. Returning to the screens,
and passing into the hall, we find the daïs marked on the plan, the
fireplace in the side wall, but no bay window: there is one indicated,
but it was not carried out. From the daïs the family apartments are
reached, together with a great staircase. Next to the head of the
hall, as Dr. Andrew Boorde has it, is the parlour (pler); the other
rooms are not named. The division of "the lodgings by the circuit of
the quadrivial court" is shown on Thorpe's plan, but most of the cross
walls are now gone. It will be seen that these lodgings consist of a
number of groups of two or three rooms (which were called "lodgings"),
each group being entered from the court by a door, and each room
communicating with its neighbour, so that the complete circuit of the
building could be made through them. The object of this grouping
was to give a small suite of rooms to every guest, in which he could
establish himself with his principal attendants; in the case of a large
retinue it could overflow into the next group. It was necessary to
traverse the open court to reach the places of general resort, such as
the hall, the "great chamber of estate," and the gallery; but it is
evident that this was not felt to be a drawback, since the practice was
widespread. The next point to notice is that here we have the first
instance of the open terrace, or arcade, or loggia. It occupies the
Public-domain text, read in full here on John Shaqi.
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