Early Travels in Palestine: Comprising the Narratives of Arculf, Willibald, Bernard, Sæwulf, Sigurd, Benjamin of Tudela, Sir John Maundeville, de la Brocquière, and Maundrell
History
Early Travels in Palestine: Comprising the Narratives of Arculf, Willibald, Bernard, Sæwulf, Sigurd, Benjamin of Tudela, Sir John Maundeville, de la Brocquière, and Maundrell
Middle East -- Description and travel -- Early works to 1800; Palestine -- Description and travel -- Early works to 1800
The church of the Holy Sepulchre is very large and round, encompassed
with three walls, with a broad space between each, and containing three
altars of wonderful workmanship, in the middle wall, at three different
points; on the south, the north, and the west. It is supported by twelve
stone columns of extraordinary magnitude; and it has eight doors or
entrances through the three opposite walls, four fronting the
north-east, and four to the south-east. In the middle space of the inner
circle is a round grotto cut in the solid rock, the interior of which is
large enough to allow nine men to pray, standing, and the roof of which
is about a foot and a half higher than a man of ordinary stature. The
entrance is from the east side, and the whole of the exterior is covered
with choice marble to the very top of the roof, which is adorned with
gold, and supports a large golden cross. Within, on the north side, is
the tomb of our Lord, hewn out of the same rock, seven feet in length,
and rising three palms above the floor. These measurements were taken by
Arculf with his own hand. This tomb is broad enough to hold one man
lying on his back, and has a raised division in the stone to separate
his legs. The entrance is on the south side, and there are twelve lamps
burning day and night, according to the number of the twelve apostles;
four within at the foot, and the other eight above, on the right-hand
side. Internally, the stone of the rock remains in its original state,
and still exhibits the marks of the workman's tools; its colour is not
uniform, but appears to be a mixture of white and red. The stone that
was laid at the entrance to the monument is now broken in two; the
lesser portion standing as a square altar, before the entrance, while
the greater forms another square altar in the east part of the same
church, covered with linen cloths.
Public-domain text, read in full here on John Shaqi.
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