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Early Typography.
PRINTED AT COLOMBO,
BY WILLIAM SKEEN, GOVERNMENT PRINTER,
CEYLON.
EARLY TYPOGRAPHY.
BY
WILLIAM SKEEN.
COLOMBO: CEYLON.
1872.
The accumulation of materials in the writer’s hands in the course of
the last twelve months, has induced him to depart from his original
intention of limiting his labours to a single book. A sketch of the
history of the spread of the Art, after the sack of Mentz in 1462,
with notices of the most material improvements and recent inventions
connected with it, will, consequently, form the subjects of a separate
volume. It only remains for him now thankfully to acknowledge his
obligations to Mrs. J. Ferguson, and Messrs. Iliff, Ronald, and Paatz,
of Colombo, for their most kindly rendered assistance, by which he has
been enabled to complete this portion of his work much earlier than he
otherwise could have done.
_January_ 20, 1872.
INVENTORS of the Art Sublime
Which Knowledge spreads thro’ every clime;
Who far the fabled god excell’d,
Prometheus, from heaven expell’d.
Material fire _he_ brought to earth,
_They_ flames of a diviner birth
Drew from the seven-fold source of light
Seen in the Patmos vision bright,
When, the celestial portals raised,
Man, on the Godhead’s glories gazed.
Majestic Truth they thus reveal’d,
By powers of Darkness long conceal’d;
Ope’d Freedom’s doors to fetter’d Thought
And forces into conflict brought--
Mind against mind--an eager fray
That shall not cease till Time’s last day;
That keener as the contest grows,
Truth greater, purer, mightier shews.
Thus Knowledge each successive age
Advances, wins an onward stage,
And gathers in one focus bright
Each fresh struck spark, each ray of light,
And clears the mists that still are found
Historic names and deeds around.
This light, that truth reveals, t’ impart,
I seek, Disciple of the Art;
That to the famed Teutonic three
Just meeds of praise may given be;
That all aright the men may know
To whom TYPOGRAPHY we owe;
The men whose names immortal ring,
Whose gifts transcendent blessings bring,
Whose monuments in every land
By wisdom rear’d, heart-honor’d stand,
Inscribed in tongues of every clime--
“INVENTORS OF THE ART SUBLIME!”
W. S.
CONTENTS.
PAGE.
PREFACE 9
CHAPTER I.--Introductory.--Letter-press Printing the
“Divine and Noble” Art--why so termed.--Freedom
of the Press--where first proclaimed.--Printing
known in China from time immemorial.--Method of
Chinese Printing.--Bibliography and Palæotypography. 11
Public-domain text, read in full here on John Shaqi.
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