At length the _magnum opus_,--the celebrated _Biblia Latina
Vulgata_,--made its appearance. This work is commonly known as the
“MAZARIN BIBLE,” from a copy having been discovered in the Bibliotheque
Mazarin at Paris, about the middle of the eighteenth century. It was
recognised by the book-seller and bibliopole De Bure, who gave a
minute description of it in the _Bibliographie Instructive_, (vol.
i. pp. 32-40.) There can hardly exist a doubt that this is the work
to which Ulric Zell refers in his account of the origin of Printing,
where he says--“And in the year M.CCCC.L. which was a jubilee, they
began to print; and the first book printed was the Bible in Latin.”[58]
Being without a date, the exact year of its publication cannot be
ascertained; but a copy exists in the Royal Library in Paris, printed
on paper, and bound in two volumes, on each of which is an entry,
stating the date when its binding and illuminating was completed: and
as the second entry gives the information that this was finished at
Mentz on the Feast of the Assumption, 1456,[59] the work itself could
not have been issued from the press later than the year preceding,
1455, which secures to it an unimpeached priority in the records of
bibliography.
Strange to say, the existence of this work was unknown until the
discovery of the Mazarin copy; since then about twenty copies have
been traced in various libraries, some on vellum, and some on paper:
twelve of these are now in England, and in every place where they
are deposited, they are justly considered the most precious of
bibliographical treasures. The type is of a large handsome Gothic
character, fine and square and sharp, imitative of the best manuscripts
of the time, the first letters of each chapter being painted in by
hand. The book consists of 637 leaves, with two columns each containing
forty-two lines printed upon each page.[60] It is beautifully executed,
and remarkable for the blackness and brilliancy of the ink made use of.
“It is a very striking circumstance,” says Mr. Hallam, “that the
high minded inventors of this great art, tried at the very outset so
bold a flight as the printing an entire Bible, and executed it with
astonishing success. It was Minerva leaping on earth in her divine
strength and radiant armour, ready at the moment of her nativity, to
subdue and destroy her enemies. The Mazarin Bible is printed, some
copies on vellum, some on paper of choice quality, with strong, black
and tolerably handsome characters, but with some want of uniformity,
which has led, perhaps unreasonably, to a doubt whether they were cast
in a matrix.[61] We may see in imagination this venerable and splendid
volume, leading up the crowded myriads of its followers, and imploring
as it were a blessing on the new art, by dedicating its first fruits to
heaven.”
Public-domain text, read in full here on John Shaqi.
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