Two of the Nardi initials, the P and the C, are to be met with in a quarto volume, ‘C Plinio de li homini illustri in lingua senese traducto et brevemente commentato,’ which is printed in the _Inclyta & Excelsa citta di Sena_ by that accurate man Symeone di Nicolao Carrolaro Senese, 1506. The mark is different in some details, although practically the same as in the Dathus. The _Vespertinæ lectiones_ of Marcellus Beringhuccius has the H and some others. The printer’s name varies again, being given as ‘Impressum per Calistrum Symeonis Senen. Ad instantiam Ioannis Alixandri Libraio 1511.’ The title is surrounded by a border of oak leaves and acorns. On the verso of the first page the dedication to Cosmo de Medici begins with the handsome H, and is followed on the next page by an interesting cut representing the burial of Christ. The text on the verso of this page begins with the L. The second part of the book, ‘For the comfort of those who wish to live well, etc.,’ begins with the historiated N, ‘Impresso in Siena per Calisto Francese di Simeone Bindi, 1541. Ad instantiam d’Giovanni di Alisandro Libraio.’ Another volume of _Vespertinæ lectiones_ of the same author was published in 1539, the printer’s name being given in the same way, and the same bookseller being mentioned. It has the N and the D, as well as a new I, mentioned above. The book, published on the 5th of March, has a title-page with a border of foliated branches that spring below from a common trunk and meet together above. The lower third is occupied by the Siennese wolf and children, with a town in the distance. Two tracts of Marcus Antonius Belarmatus on legal subjects were published by Symeon Nicolai in 1539, with the same ornamental border. In one of them the only large initial is the N. In the other, the title is printed in black, and the D and the Q of the white variety complete its ornamentation. The last book chronologically in which we have met with the Nardi initials is a _Life_ by Feo Belcari of Beato Columbini da Siena, ‘fondatore del ordine di poveri giesuati.’ Like so many of the Venetian ornaments, the borders and initials of Fossombrone are mostly with a black ground, but this is _criblé_ in a special manner. The most important book of this town, where printing was introduced in 1513 by Ottaviano dei Petrucci, is a treatise by Paul de Middelburg with beautiful borders and initials, _On the right way of celebrating Easter, and the day of the passion of our Lord Jesus Christ_, a work of great rarity and filled with singular researches for fixing Easter Day, and the date of the death of our Saviour. The initials have branching ornaments, and children playing with one another, one holding up a mask, or with birds. One of them can be seen in Butsch.