The needle G works upon a piece of smoked glass. In order to bring
the glass into contact with the needle without disturbance, the glass
is carried on a strip of wood K, hinged at the back of the box, and
propped up in front by a loose block of wood Y. When Y is removed
the glass drops down with K out of contact with the needle. The box
is carried on bars of wood C C, which are fixed to the ground by the
stakes A A.
The great advantage of a pendulum seismograph working on a stationary
plate is, that the record shows at once whether the direction of motion
has been constant, or whether it has been variable. The maximum extent
of motion in various directions is also easily obtained.
The disadvantage of the instrument is, that at the time of a large
earthquake, owing perhaps to a slight swing in the pendulum, the
records may be unduly magnified.
On such occasions, however, fairly good records may be obtained from
the friction pointers, provided that the plates on which they work have
been previously smoked. It might perhaps be well to use two of these
instruments, one having a comparatively high frictional resistance, and
hence ‘dead beat’ for large displacements.
Many attempts have been made to use a pendulum seismograph in
conjunction with a record-receiving surface, which at the time of the
earthquake should be kept in motion by clockwork. In this way it was
hoped to separate the various vibrations of the earthquake, and thus
avoid the greater or less confusion which occurs when the index of the
pendulum writes its backward and forward motion on a stationary plate.
Hitherto all attempts in this direction, in which a single multiplying
index was used, have been unsuccessful because of the moving plate
dragging the index in the direction of its motion for a short
distance, and then allowing it to fall back towards its normal position.
In connection with this subject we may mention the pendulum
seismographs of Kreil, Wagener, Ewing, and Gray.
In the bob of Kreil’s pendulum there was clockwork, which caused a disc
on the axis of the pendulum to continuously rotate. On this continually
revolving surface a style fixed to the earth traced an unbroken circle.
At the time of an earthquake, by the motion of the style, the circle
was to be broken and lines drawn. The number and length of these lines
were to indicate the length and intensity of the disturbance.
Gray’s pendulum consisted of a flat heavy disc carrying on its upper
surface a smoked glass plate. This, which formed the bob of the
pendulum, was supported by a pianoforte steel wire. When set ready to
receive an earthquake, the wire was twisted and the bob held by a catch
so arranged that at the time of the earthquake the catch was released,
and the bob of the pendulum allowed to turn slowly by the untwisting of
the supporting wire. Resting on the surface of this rotating disc were
two multiplying indices arranged to write the earth’s motions as two
components.
Public-domain text, read in full here on John Shaqi.
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