Florida -- Fiction; Married women -- Fiction; Triangles (Interpersonal relations) -- Fiction
But written words are not the artist's colors; they can never paint the
portrait which all the world can see. A woman may be described, and by a
truthful pen, as possessing large eyes, regular features, and so on
through the list, and yet that woman may move through life quite without
charm, while another who is chronicled, and with equal truthfulness, as
having a profile which is far from showing accordance with artists'
rules, may receive through all her days the homage paid to loveliness
alone. The bare catalogue of features, tints, and height does not
include the subtle spell whose fulness crowns the one, while its lack
mars the other, and a narrator, therefore, while allowing himself as
detailed a delineation as it pleases him to give, should set down
plainly at the end the result, the often mysterious and unexpected
whole, which the elements he has described have, in some occult manner,
combined to produce. "There was an enchantment in her expression,"
"There was an irresistible sweetness about her;" these phrases tell more
than the most minute record of hue and outline; they place the reader
where he would be were the living, breathing presence before him,
instead of the mere printed page.
But in the case of Garda Thorne it could have been said that she had not
only brilliant beauty, but the loveliness which does not always
accompany it. There was sufficient regularity in her face to keep from
it the term irregular; but it had also all the changing expressions, all
the spirit, all the sweetness, which faces whose features are not by
rule often possess. She had undoubtedly a great charm, a charm which no
one had as yet analyzed; she was not a girl who turned one's thoughts
towards analysis, one was too much occupied in simply admiring her. She
was as open as the day, her frankness was wonderful; it would have been
said of her by every one that she had an extraordinary simplicity, were
it not that the richness of her beauty threw over her a sort of
sumptuousness which did not accord with the usual image of pure, rather
meagre limpidity called up by the use of that word.
Public-domain text, read in full here on John Shaqi.
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