Ah! what was that story? How the question puzzled my young head, as I walked in the sandy lane that led from my native village! How insignificant looked the little church built up inside! What had become of the crowds that at one time must have filled that ancient fane? How was it that no trace of them remained? They had vanished in the historical age, and yet no one could tell how or when. Nature was, then, stronger than man. He was gone, but the stars glittered by night and the sun shone by day, and the ivy had spread its green mantle over all. Yes! what was man, with his pomp and glory, but dust and ashes, after all! How I loved to go to Covehithe and climb its ruins, and dream of the distant past! Here in that eastern point of England it seemed to me there was a good deal of decay. Sometimes, on a fine summer day, we would take a boat and sail from the pretty little town of Southwold, about four miles from Wrentham, to Dunwich, another relic of the past. According to an old historian, it was a city surrounded with a stone wall having brazen gates; it had fifty-two churches, chapels, and religious houses; it also boasted hospitals, a huge palace, a bishop’s seat, a mayor’s mansion, and a Mint. Beyond it a forest appears to have extended some miles into what is now the sea. One of our local Suffolk poets, James Bird (I saw him but once, when I walked into his house, about twelve miles from Wrentham, having run away from home at the ripe age of ten, and told him I had come to see him, as he was a poet; and I well remember how then, much to my chagrin, he gave me plum-pudding for dinner, and sent me to play with his boys till a cart was found in which the prodigal was compelled to return), wrote and published a poetical romance, called ‘Dunwich; or, a Tale of the Splendid City;’ and Agnes Strickland also made it the subject of her melodious verse, commencing: ‘Oft gazing on thy craggy brow, We muse on glories o’er. Fair Dunwich! Thou art lonely now, Renowned and sought no more.’