East Anglia: Personal Recollections and Historical AssociationsRitchie, J. Ewing (James Ewing)
History
East Anglia: Personal Recollections and Historical Associations
Ritchie, J. Ewing (James Ewing)
East Anglia (England)
Sir Astley Cooper was much connected with Yarmouth in his young days,
when his father was the incumbent of the parish church. Some of his
boyish pranks were peculiar. Here is one of them: ‘Having taken two
pillows from his mother’s bed, he carried them up the spire of Yarmouth
Church, at a time when the wind was blowing from the north-east; and as
soon as he had ascended as high as he could, he ripped them open, and,
shaking out their contents, dispersed them in the air. The feathers were
carried away by the wind, and fell far and wide over the surface of the
market-place, to the great astonishment of a large number of persons
assembled there. The timid looked upon it phenomenon predictive of some
calamity; the inquisitive formed a thousand conjectures; while some,
curious in natural history, actually accounted for it by a gale of wind
in the north blowing wild-fowl feathers from the island of St. Paul’s.’
On another occasion he got into an old trunk, which the family had agreed
to get rid of as inconvenient in the house. In this case he had to pay
the penalty, when he emerged from the chest in the carpenter’s shop. The
men, who had complained terribly of its weight, were not inclined to
allow young Astley to get off free. One of Astley’s tricks had, however,
a good motive, as it was intended to cure an old woman of her besetting
sin—a tendency to take a drop too much. In order to cure the old woman
of this weakness, he dressed himself as well as he could to represent the
sable form of his satanic majesty. Alas! instead of being surprised, the
old lady was too far-gone for that, and listened with tipsy gravity to
the distinguished visitor’s discourse. In her case it was true, as Burns
wrote:
‘Wi’ tipenny we fear nae evil;
Wi’ usquebae we’ll face the deevil.’
Public-domain text, read in full here on John Shaqi.
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