New York (N.Y.) -- Fiction; Romans à clef; Spouses -- Fiction; Women novelists -- Fiction
EVA LITCHFIELD
was banished from Eden by either beauty or genius, whichever one chose
to consider the irrelevant factor of her character. If she herself had
known what she wanted most, she would have liked to write her novels in
a tranquil, mental world where there was no room for lovers.
She was capable of going through matrimony without experiencing with
her body the slightest nervous reaction. Her soul might be bruised and
her mind astonished, but no physical impression would have been made on
her. She was like a crystal. A blow might leave her unscratched while
the next blow might strike on the line of cleavage and shatter her.
Eva’s marriage to Nicholas Van Suydam of the Dutch Van Suydams who
inherited Manhattan and upheld the ancient family traditions with
stolid charm, was doomed to unhappiness.
Miss Glenn creates the strangely living and attractive personality of
a lovely, untouchable woman and a genius, against the background of
contemporary literary New York, a New York brilliantly sketched with
wit and a light touch of satire. In subject _East of Eden_ is a vivid
contrast to Miss Glenn’s _Transport_ and _A Short History of Julia_.
[Illustration: EAST OF EDEN]
BOOKS BY
_Isa Glenn_
EAST OF EDEN
A SHORT HISTORY OF JULIA
TRANSPORT
SOUTHERN CHARM
LITTLE PITCHERS
HEAT
EAST OF EDEN
_Isa Glenn_
[Illustration]
DOUBLEDAY, DORAN
AND COMPANY, INC.
GARDEN CITY, N. Y.
1932
PRINTED AT THE _Country Life Press_, GARDEN CITY, N. Y., U. S. A.
COPYRIGHT, 1932
BY ISA GLENN
ALL RIGHTS RESERVED
FIRST EDITION
THEREFORE _the LORD God sent him forth from the garden of Eden, to till
the ground from whence he was taken._
_So he drove out the man; and he placed at the east of the garden of
Eden Cherubims, and a flaming sword which turned every way, to keep the
way of the tree of life._
GENESIS iii. 23-24.
[Illustration]
CONTENTS
PART ONE _Page 3_
PART TWO _Page 83_
PART THREE _Page 133_
PART FOUR _Page 221_
PART FIVE _Page 281_
PART ONE
[Illustration]
I
I realized that I was sorry to be back in New York. Molly Underhill
had telephoned: “Oh, darling, I’m so remorseful that we didn’t meet
your ship! Eva Litchfield and I were going to be waiting for you with
cheers because you’re home at last, and then Eva couldn’t get away.
She’s in the last throes of a book, you know--or maybe you don’t know;
you’ve become an expatriate, haven’t you?” Gasping, lisping, gushingly
affectionate because she was speaking to me instead of talking about
me, she eventually came to the point and invited me to dine with her at
our old haunt, one of those establishments run by an Italian whose name
it would be a shame to give. There was much to hear, she assured me;
things had been popping, as they could pop only in New York. “But I’ll
tell all, in the taxi,” she promised. “Only, the drive will be short,
and the tale is long.”
Public-domain text, read in full here on John Shaqi.
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