New York (N.Y.) -- Fiction; Romans à clef; Spouses -- Fiction; Women novelists -- Fiction
She asked lightly why truly he had come back, and shrugged when he
persisted that he had returned because he was responsible for her. “You
won’t stay,” she dropped, with as much acidity in her tone as she ever
employed. “You won’t stay, because you won’t approve of this party
more than you did of the one you so charmingly left.” She shrugged
again when he replied that he had every intention of staying until she
took her departure in his company. “As you please,” she agreed. “But I
want to say this to you: you can’t play fast and loose with me, Nick.
I don’t permit my friends to do so. My friends, however, have never
wished to treat me in a cavalier fashion.” With a nod that was almost
one of dismissal, she strolled away.
I hastened to say to him: “Have you thought about this room? It is
packed, I’m feeling, with evil influences.”
“The people in the room?” he enquired.
“It’s--it’s--bad. The room itself. The city outside the room. Oh--the
whole thing,” I finished lamely enough. But I started in again to keep
both his mind and my own from Eva. “I go through this year after year,
agreeing with everyone because it’s less troublesome than to hold
opposite views. There’s so much talk, if one doesn’t agree.”
“But there’s talk anyway, isn’t there?” he asked, his manner that of
one who knew the answer.
It was impossible to divert his attention from Eva; I saw them meet in
the middle of the room. She seemed, in fact, to have been seeking him.
“Suppose we go?” she urged. “I think there is going to be a scene.”
He responded to her appeal with “Then I feel sure you will stay.”
I heard her foot tapping on the floor. “I won’t make a laughing-stock
of myself by hanging around you,” she flung at him, and turned on her
heel and left him.
The scene which she anticipated started in by being, as usual, purely
a verbal one. I got out of it by retiring into the ell of the room and
settling with a book. If Molly Underhill stood pat under baiting, or if
she flung back at them, was none of my business. But she brought the
scene over to me, as I would not go to meet it: she ran to my corner
and threw herself down with such abandonment to her inner turmoil that
the chair creaked. In a passion of resentment she said through clenched
teeth: “That taunt!” She almost flung herself at me as she talked aloud
although to herself. “When I remember that, when I came to New York,
these were the people I wanted to impress----!” As spasmodically as she
had flung herself down, she leapt from the chair, snatched her coat and
ran from the apartment: we heard the thud of her feet as she hurried
down the stairs.
Nicholas Van Suydam said to several of us who stood stupidly looking at
the door through which Molly had bolted: “She was crying. It seems a
pity.”
Winnie Conant jeered: “Molly’s trying to live in a protracted emotional
crisis. She gloried in the recent unpleasantness. Save your pity until
she needs it.”
Public-domain text, read in full here on John Shaqi.
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