New York (N.Y.) -- Fiction; Romans à clef; Spouses -- Fiction; Women novelists -- Fiction
Florence shrugged. She said that she was making no suggestions; for,
after all, how could she? She held to the notion that for Eva a divorce
would be a disastrous thing. “But she’ll ditch herself yet,” she
thought.
“Look here, my girl,” I called myself to account, “why can’t you make
up your mind that an American is never happy? We’re a chronically
dissatisfied race. You know that if any of us were happy we’d lose
our celebrated feverish energy--we’d not be forced by a substratum of
uneasiness to push ourselves--push, push, push ourselves--to an end
that often we can’t see. It’s our dissatisfaction with life that makes
us push. It isn’t going to injure Eva’s work, that she’s unhappily
married--if she is.”
Pomeroy announced that I had been talking to myself for the last five
minutes. “Have you ever thought, Dinah darling, of using yourself in
a novel? But of course you wouldn’t use what really counts; no woman
would.”
I said: “Shall we stop this? I’m sick and tired of talking about Eva.”
“My lamb,” interrupted Florence, “wouldn’t it be honest if we
acknowledged that these days we get together solely to talk about her?
And wouldn’t it be more open and above board if you acknowledged that
you eat it up? For my part, I’m frank in my avidity. And I want to
say, just here, that I know what Eva herself wants; above and beyond
being talked about whenever men--and women--are gathered together in
her name, she wants the greatest joy ever experienced by a human being,
only, in order that she be not shocked, it must be the joy of creatures
without bodies.”
Mapes stood at the window tapping on the panes his own reply to the
beckon of the bare branches that mournfully swung in the wind from the
river. He said, speaking over his shoulder as if he concealed his face:
“She can’t help it. She’s powerless to change her nature--as are we
all. Women with thin treble voices have no power of emotion.”
Pomeroy revelled in arguments about the nature of women. “What, then,
keeps them going?”
“Their excited nerves.” Thus charitably excusing all possible
charges against Eva’s treatment of her husband, Mapes at the same
time suggested that this treatment was of a refined cruelty. With
anticipatory relish, he glanced keenly from one to another of us,
gathering up obscure reactions he might have brought about. I knew that
he studied us, measuring our relatively tense muscles as indications of
how we had drifted since his suggestion which might embrace so many.
I noticed that the cocktail shaker made a swift round of the room. I
said that I was tired. “It’s all too much. I can sort out some points,
but not so many. Everyone of you has a different impression of everyone
of--of--suppose we call them Eva and her opponents? And what you’ve
been half-way telling is as jumbled as that statement of mine, and my
mind is as jumbled as my statement, and--there you are!”
Public-domain text, read in full here on John Shaqi.
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