The place itself is as antiquated and behindhand as any I have seen in France, which is saying a good deal. A French gentleman, native of these parts, told me that in his grandfather’s time our Hôtel du Grand Monarque enjoyed a fine reputation. In many respects it deserves the same still, excellent beds, good cooking, quietude and low prices not being so common as they might be in French provincial inns. The house, too, is curious, what with its spiral stone staircases, little passages leading to one room here, to another there--as if in former days travellers objected to walls that adjoined those of other people--and unaccountable levels, it is impossible to understand whether you were on the first floor or the second floor, house-top, or basement. Our bedrooms, for instance, reached by one of the spiral stone staircases just named never used by myself without apprehension, landed us on the edge of a poultry yard; I suppose a wide bit of roof had been converted into this use, but it was quite impossible to make out any architectural plan. These rooms adjoining this _basse-cour_, hens and chicks would enter unceremoniously and pick up the crumbs we threw to them. Fastidious tourists might resent so primitive a state of things, the hotel, I should say, remaining exactly what it was under the Ancien Régime. The beauty and interest of various kinds around, more than make up for small drawbacks. Here the archaeologist will not grudge several days. Ruined as it is, the ancient abbey may be reconstructed in the mind’s eye by the help of what we see before us. The fragments of crumbling wall, the noble tower and portal, the delicately sculptured pillars, cornices, and arches, enable us to build up the whole, just as Cuvier made out an entire skeleton from the examination of a single bone. These grand architectural fragments have not been neglected by the learned. Unfortunately, and exceptionally, La Charité possesses neither public library nor museum, but at Nevers the traveller would surely find a copy of Prosper Merimée’s “Notes Archéologiques” in which is a minute account of these. Alike without and within the ruins show a medley of styles and richest ornamentation. [Illustration] The superb north-west tower, that forms so striking an object from the river, is said to be in the Burgundian style; rather should we put it after a Burgundian style, so varied and heterogeneous are the churches coming under this category. Again, the guide books inform us that the open space between this tower and the church was occupied by the narthex, a vast outer portico of ancient Burgundian churches used for the reception of penitents, catechumens, and strangers. All interested in ecclesiastical architecture should visit the abbey church of Vézelay, which possesses a magnificent narthex of two storeys, restored by the late Viollet le Duc. Vézelay, by the way, may be easily reached from La Charité.