East of Paris: Sketches in the Gâtinais, Bourbonnais, and Champagne — John Shaqi
East of Paris: Sketches in the Gâtinais, Bourbonnais, and ChampagneBetham-Edwards, Matilda
General
East of Paris: Sketches in the Gâtinais, Bourbonnais, and Champagne
Betham-Edwards, Matilda
France -- Description and travel
Too soon were we also for “the heyday of the vintage, when Nature is
pouring her abundance into everyone’s lap.” For the vintage, indeed,
one must go farther. Sterne must have been thinking of Burgundy when he
penned that line, or the phylloxera has brought about a transformation,
vineyards here being changed into pastures. The scenery of the Allier,
like that around Autun, recalls many parts of England. Meadows set
around with hedges; little rises of green hill here and there; cattle
browsing by quiet streams; just such pictures as we may see in our own
Midlands. I well remember a remark of the late Philip Gilbert Hamerton
on this subject. We were strolling near his home, in the neighbourhood
of Autun, one day, when he pointed to the landscape over against us.
“How like that is to many an English scene,” he said; “and maybe it was
the English aspect of this region that tempted me to settle here.” I had
paid Moulins a hasty visit many years before, but, unlike Nevers and so
many French towns, the _chef-lieu_ of the Allier does not improve upon
further acquaintance. And I surmise, that such is the impression of my
country people generally. English travellers must be few and far between
at Moulins, or why should the appearance of two English ladies attract
so much curiosity? Wherever we went, the good folks of Moulins, alike
rich and poor, turned round to have a good look at us, even stopping
short to stare. All this was done without any rudeness or remark, but
such extraordinary behaviour can only be accounted for by the foregoing
supposition. For some reason or other our compatriots do not, like
Sterne and Maria go to Moulins.
Why should an essentially aristocratic place be so ill-kept, not to say
dirty? The town is no centre of industry. Tall factory chimneys do
not disfigure its silhouette or blacken its walls. Handsome equipages
enliven the streets. But the municipality, like certain saints of
old, seem to have taken vows of perpetual uncleanliness. Alike the
scavenger’s broom and the dust-cart appear to be unknown.
Whilst a riverside walk at Nevers presents nothing but cheerful bustle
and an aspect of prosperity, here you approach the Allier through scenes
of squalor and torpid neglect. The poorer inhabitants, too, are very
un-French in appearance, wanting that personal tidiness characteristic
of their country people in general. An aristocratic place, means an
Ultramontane place, and every third man you meet in Moulins wears a
soutane. What so many curés, Jesuits and Christian Brothers can find to
do passes the ordinary comprehension.
However interesting twins may be in the human family, monumental duality
is far from successful. Unfortunately for this delightfully picturesque
old town, its graceful Cathedral has, in the grand new church of
Sacre-Coeur, a double. But--
“As moonlight unto sunlight, and as water unto wine,”
is the second self, the never to be obliterated shadow of the first and
far more beautiful church.
Public-domain text, read in full here on John Shaqi.
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