The main road communicating with the hunting-grounds is of necessity
passed through in the course of the day; and here the mole-catcher sets
his traps to intercept the Mole between his habitation and the alley
where he is carrying on his labours. Some mole-catchers will tell you
the hours when the Moles move are nine and four; others that near the
coast their movements are influenced by the tides. Besides the various
traps which are set for Moles, they are sometimes taken by a man and a
dog; when the latter indicates the presence of a Mole, the man spears
the animal out as it moves in its run. Pointers will stop as steadily as
at game, at the Moles, when they are straying on the surface.
The Mole is a most voracious animal. Earthworms and the larvæ of insects
are its favourite food; and it will eat mice, lizards, frogs, and even
birds; but it rejects toads, even when pressed by hunger, deterred,
probably, by the acrid secretions of their skin. Moles are essentially
carnivorous; and when fed abundantly on vegetable substances they have
died of hunger.
During the season of love, at which time fierce battles are fought
between the males, the male pursues the female with ardour through
numerous runs wrought out with great rapidity. The attachment appears
to be very strong in the Moles. Le Court often found a female taken in
his trap and a male lying dead close to her. From four to five is the
general number of young. The nest is distinct, usually distant from the
habitation. It is constructed by enlarging and excavating the point
where three or four passages intersect each other; and the bed of the
nest is formed of a mass of young grass, root fibres, and herbage. In
one nest Geoffroy St. Hilaire and Le Court counted two hundred and four
young wheat-blades.
M. St. Hilaire describes the pairings, or as he calls it, "the loves of
the Moles." As soon as the Mole has finished the galleries he brings his
mate along with him, and shuts her up in the bridal gallery, taking care
to prevent the entrance of his rivals: in case of a fight they enlarge
the part of the gallery where they are met; and the victory is decided
in favour of him who first wounds his adversary before the ear. The
female, during the fight, is shut up in the bridal gallery, so as to be
unable to escape; for which purpose, however, she uses all her resources
in digging, and attempts to get away by the side passages. Should she
succeed the conqueror hastens to rejoin his faithless mate, and to
bring her back into his galleries. This manoeuvre is repeated as often
as other males enter the lists. At length the conqueror is recognised,
and his mate becomes more docile. The pair work together and finish the
galleries; after which the female digs alone for food. As soon as the
galleries are formed, the male conducts his mate to a certain point, and
from this time the female no longer digs in the solid earth, but towards
the surface, advancing by merely separating the roots of the grass.
Public-domain text, read in full here on John Shaqi.
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