Ecclesiastical Vestments: Their development and historyMacalister, Robert Alexander Stewart
History
Ecclesiastical Vestments: Their development and history
Macalister, Robert Alexander Stewart
Church vestments
The same uniformity is not, however, observable in the symbolism of this
vestment. The variety of meanings is even greater than is the case with
the alb and its girdle. We are told that it signifies (_inter alia_) the
Holy Incarnation; the purity of good works; the subjugation of the
tongue; the earthy origin and heavenly goal of the human body; the
necessity of justice and mercy in addition to temperance and abstention
from evil; and the endurance of present hardships.
IV. _The Stole._—The early history of the stole has been discussed in
the preceding chapter, in considering the _orarium_.
Why, or when, the proper name of the vestment became 'stole,'
or _stola_, does not appear. It is named _stola_ in the later
ecclesiastical canons of our second period; but it is not clear how
_stola_, which in its original significance denoted a flowing tunic,
like the under-garment of the Roman or the _alba_ of the priests of the
second period, came to signify a narrow strip of orphrey-work. It is
quite certain that it cannot be explained (as some writers have
attempted to do) as the _orphrey_ of a lost vestment which has survived
while the bulk of it has disappeared; for the continuity of the stole
and the _orarium_ is a matter of historic certainty, and we have already
shown reason for assigning an entirely different origin to the latter
vestment. Such an evolution, too, as that of a narrow strip from a large
vestment is not natural, and is contrary to our observation in the
history of other vestments; and it assumes the existence of embroidered
'orphreys' at a time far too remote for such ornamentation to be found.
This hypothesis has suggested one of the less probable etymologies which
have been proposed for the word _orarium_.
[Illustration: FIG. 6.—STOLE-ENDS, SHOWING VARIETIES IN FORM AND
ORNAMENT.]
The stole is a narrow strip of embroidered work, nine or ten feet long
and two or three inches wide. In its original form it was of the same
width throughout; but about the thirteenth or fourteenth century we find
its ends terminating in a rectangular compartment, giving each the
appearance of a tau cross. This was in order to secure extra room for
the cross with which every stole was supposed to be marked at the end.
For the same purpose the modern stole expands gradually from the middle
point, where also a cross is embroidered.
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