Wilde, Oscar, 1854-1900 -- Homes and haunts -- France -- Paris
O.W. But saying prayers, Robbie, is always possible. It is only the
answer to prayer that is impossible. Prayer must never be answered:
if it is, it ceases to be prayer, and becomes a correspondence. If we
ask for our daily bread and it is given us as manna was given to the
Israelites in the wilderness, it is merely an invitation to dinner
reversed. How much more devotional the exercise becomes when we know
that our food comes to us from quite mundane sources, irrespective of
prayer.
H.D. But your prayer then becomes merely a superstition.
O.W. Not at all: a compliment—a spiritual courtesy which one may surely
hope is appreciated in the proper place. I do not say it derisively.
There is a proper place for the appreciation of everything. And perhaps
it is only in heaven—and in hell—that art, now so generally despised,
will receive the appreciation that is due to it.
H.A. In heaven, yes; but why in hell?
O.W. Why in hell? I must tell you one of my stories.
(_A grave smile passes from face to face, as the friends lean forward
attentively to listen; for they know that this born story-teller only
tells them when, for the moment, life contents him._)
In hell, among all the brave company that is ever to be found there
of lovers, and fair ladies, and men of learning, and poets, and
astrologers, amid all the ceaseless movement of doomed bodies, tossing
and turning to be rid of the torment of their souls, one woman sat
alone and smiled. She had the air of a listener, ever with lifted head
and eyes raised, as though some voice from above were attracting her.
“Who is that woman?” enquired a new-comer, struck by the strange
loveliness of her face, with its look the meaning of which he could not
read, “the one with the smooth, ivory limbs, and the long hair falling
down over her arms to the hands resting upon her lap. She is the only
soul whose eyes are ever looking aloft. What skeleton does she keep in
the cupboard of God up yonder?”
He had not finished speaking before one made haste to answer, a man who
carried in his hand a wreath of withered leaves. “They say,” he said,
“that once on earth she was a great singer, with a voice like stars
falling from a clear sky. So when doom came for her, God took her voice
and cast it forth to the eternal echoes of the spheres, finding it too
beautiful a thing to let die. Now she hears it with recognition, and
remembering how once it was her own, shares still the pleasure which
God takes in it. Do not speak to her, for she believes that she is in
heaven.”
And when the man, bearing the wreath of withered leaves, had finished,
“No,” said another, “that is not her story.”
“What then?”
“It is this,” he said, as the man with the withered wreath turned
away: “On earth a poet made his song of her, so that her name became
eternally wedded to his verse, which still rings on the lips of men.
Now she lifts her head and can hear his praise of her sounded wherever
language is spoken. That is her true story.”
Public-domain text, read in full here on John Shaqi.
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