Wilde, Oscar, 1854-1900 -- Homes and haunts -- France -- Paris
(_There is nothing possible to be said. L.H. makes haste to pay for
the aperitifs; and with the anxiety of an Englishman, unpractised in
foreign ways, to do what is right for the reputation of his country
in a strange land, he puts down an additional pour-boire, five bronze
pieces in all, to correspond to the number who have been served. With
grave apologetic politeness his guest lays an arresting hand upon
his arm; and (while the garçon whisks away the douceur with cheerful
alacrity) instructs him for future occasions_.)
O.W. My dear L.H., you should not do that! The Frenchman, for these
casual services, gives what you call a penny. The Englishman gives
what some of them call “tuppence”; not because he does not know that
the Frenchman’s penny is sufficient, but because he is an Englishman.
If you give more than that the waiter only thinks that you do not know
where you are.
L.H. (_who has a weakness for putting himself in the right, even in
quite small matters_.) Ah, yes, Mr. Wilde, that may be, but here, at
St. Helena, one tips the waiters differently.
(_It is touching to see what pleasure that foolish but fortunate
little “mot” has given to the man for whom it was designed. They have
all now risen; and their next move will be to the tabled interior,
where pleasant courses are awaiting them. But the forward movement is
delayed; and it is with a curious air of finality, as though already
taking his leave, that O.W. speaks._)
O.W. My friends, we have had a wonderful hour together. I have been
very happy. Excuse me: I am going across to get an English paper.
The woman at the kiosk, who sells them, is a charming character: she
compliments my accent by pretending to think that I am French. Go in: I
beg you not to wait for me.
(_They see him cross the street, with his accustomed air of leisurely
deliberation—a little amused to notice how the vehement traffic has to
pause and make way for him. At the kiosk he and the woman exchange
words and smiles. He lifts his hat and turns away._)
L.H. (_startled_). He’s not coming back?
R.R. Harvey Jerrold wants kicking. Poor Oscar!
H.A. Shall I go after him?
R.R. No, no! Let him go. We understand.
(_And they all stand and watch, as he passes slowly down the street,
till he disappears in the crowd._)
Footnote
Twenty years after a man’s death is usually a sufficient time to
compose, in their proper unimportance, the prejudices and enmities
which have surrounded his career. But in this particular case, I
suppose, it has hardly done so; and the man who was so greatly
over-rated by his own following, during those ten years of literary and
social triumph which made him the vogue, was, in the ten years after,
as carefully under-rated, not because the quality of his work had
proved itself poor and ephemeral, but because of something that he had
done.
Public-domain text, read in full here on John Shaqi.
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