Wilde, Oscar, 1854-1900 -- Homes and haunts -- France -- Paris
My memory of him upon that occasion inclines me to believe that those
are right who maintain that as a personality he was more considerable
than as a writer. The brilliancy of conversation is doubtfully
reproduced in the cold medium of print, and I may have wholly failed to
convey the peculiar and arresting quality of what, by word of mouth,
sounded so well. But the impression left upon me from that occasion
is that Oscar Wilde was incomparably the most accomplished talker I
had ever met. The smooth-flowing utterance, sedate and self-possessed,
oracular in tone, whimsical in substance, carried on without halt, or
hesitation, or change of word, with the quiet zest of a man perfect at
the game, and conscious that, for the moment at least, he was back at
his old form again: this, combined with the pleasure, infectious to his
listeners, of finding himself once more in a group of friends whose
view of his downfall was not the world’s view, made memorable to others
besides myself a reunion more happily prolonged than this selected
portion of it would indicate.
But what I admired most was the quiet, uncomplaining courage with which
he accepted an ostracism against which, in his lifetime, there could be
no appeal. To a man of his habits and temperament—conscious that the
incentive to produce was gone with the popular applause which had been
its recurrent stimulus—the outlook was utterly dark: life had already
become a tomb. And it is as a “monologue d’outre tombe” that I recall
his conversation that day; and whether it had any intrinsic value or
no, it was at least a wonderful expression of that gift which he had
for charming himself by charming others.
Among the many things he touched on that day (of which only a few
disjointed sentences now remain to me), one note of enthusiasm I have
always remembered, coming as it did so strangely from him, with his
elaborate and artificial code of values, based mainly not on the beauty
of human character, but on beauty of form—when, with a sudden warmth
of word and tone, he praised Mrs. Gladstone for her greatness and
gentleness of heart: “her beautiful and perfect charity” I think was
the phrase he used, adding: “But then, she was always like that.”
None of us knew her; but from that day on, the warmth and humility of
his praise left an impression upon my mind, which a reading of her life
only two years ago came to confirm. Perhaps—I like to think that it was
possible—an expression of her “beautiful and perfect charity” had come
to him personally, so making her stand differently in his eyes from the
rest of the world.
Echo de Paris
Echo de Paris
A Study from Life
Public-domain text, read in full here on John Shaqi.
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