Eclectic Magazine of Foreign Literature, Science, and Art, April 1885Various
General
Eclectic Magazine of Foreign Literature, Science, and Art, April 1885
Various
American literature -- Periodicals; Literature -- Periodicals
To many, the relation, which was the most important event in George
Eliot’s life, will seem one of those irretrievable errors which reduce
all talk of duty to a mockery. It is inevitable that this should be so,
and those who disregard a social law have little right to complain.
Men and women whom in every other respect it would be monstrous to
call bad, have taken this particular law into their own hands before
now, and committed themselves to conduct of which “magnanimity owes
no account to prudence.” But if they had sense and knew what they
were about, they have braced themselves to endure the disapproval of
a majority fortunately more prudential than themselves. The world is
busy, and its instruments are clumsy. It cannot know all the facts;
it has neither time nor material for unravelling all the complexities
of motive, or for distinguishing mere libertinage from grave and
deliberate moral misjudgment; it is protecting itself as much as it
is condemning the offenders. On all this, then, we need have neither
sophistry nor cant. But those who seek something deeper than a verdict
for the honest working purpose of leaving cards and inviting to dinner,
may feel, as has been observed by a contemporary writer, that men and
women are more fairly judged, if judge them we must, by the way in
which they bear the burden of an error, than by the decision that laid
the burden on their lives. Some idea of this kind was in her own mind
when she wrote to her most intimate friend in 1857, “If I live five
years longer, the positive result of my existence on the side of truth
and goodness will outweigh the small negative good that would have
consisted in my not doing anything to shock others” (i. 461). This
urgent desire to balance the moral account may have had something to do
with that laborious sense of responsibility which weighed so heavily on
her soul, and had so equivocal an effect upon her art. Whatever else is
to be said of this particular union, nobody can deny that the picture
on which it left a mark was an exhibition of extraordinary self-denial,
energy, and persistency in the cultivation and the use of great gifts
and powers for what their possessor believed to be the highest objects
for society and mankind.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account