Eclectic Magazine of Foreign Literature, Science, and Art, February 1885Various
Religion
Eclectic Magazine of Foreign Literature, Science, and Art, February 1885
Various
American literature -- Periodicals; Literature -- Periodicals
Even from the point of view of Art (of which in these days perhaps too
much is made), life will lose _poetry_ if it lose religion. Nothing
ever stirs our sympathies like it, or like a glimpse into the inner
self of our brother man, as affected by repentance, hope, and prayer.
The great genius, of George Eliot revealed this to her; and, Agnostic
as she was, she rarely failed to strike this resonant string of human
nature, as in “Adam Bede,” “Silas Marner,” and “Janet’s Repentance.”
French novelists who have no knowledge of it, and who describe the
death of a man as they might do that of an ox, while they galvanize our
imaginations, rarely touch the outer hem of our sympathies. Religion
in its old anthropomorphic forms was the great inspirer of sculpture,
painting, poetry, science, and almost the creator of architecture.
Phidias, Dante, Michael Angelo, Raphael, Milton, Handel, and the
builders of the Egyptian temples and mediæval cathedrals, were all
filled with the religious spirit, nor can we imagine what they would
have been without it. In the purer modern types of religion, while
music and architecture would still remain in its direct service, we
should expect painting and sculpture to be less immediately concerned
with it than in old days, because unable to touch such purely spiritual
ideas. But the elevation, aspiration, and reverence which have their
root in religion must continue to inspire those arts likewise, or
they will fall into triviality on one side (as there seems danger in
England), or into obscene materialism on the other, as is already
annually exemplified on the walls of the Paris _Salon_.
Again, it will not merely belittle life, it will _carnalize_ it to
take Religion out of it. The lump without the leaven will be grosser
and heavier than we have dreamed. Civilization, as we all know, bore
under Imperial Rome, and may assume again any day, the hateful type in
which luxury and cruelty, art and sensuality, go hand in hand. That it
ever changed its character and has come to mean with us refinement,
self-restraint, chivalry, and freedom from the coarser vices, is surely
due to the fact that it has grown up _pari passu_ with Christianity.
In truth it needs no argument to prove that, as the bestial tendencies
in us have scarcely been kept down while we believed ourselves to be
immortal souls, they will have it still more their own way when we feel
assured we are only mortal bodies.
Public-domain text, read in full here on John Shaqi.
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